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I intended a masterpiece and ended up with kind of a "journeyman's piece".

All in all I'm content with the outcome. The tool impressions are crisp enough, I'd say, and the edge is sufficiently smooth. I tried to follow Bob Park's tutorial on finishing edges.

I made some mistakes though and learned from them:

- I nicked the edge when I trimmed the lining

- I used thick Tandy artificial thread - overlapping stitches (where I had to start a new thread) are visible

- the lining ends about an inch before the buckle slit.

Any comments or hints are most welcome.

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I couldn't see your mentioned flaws, . . . so it looks good from here.

As a personal note, . . . you said you nicked the belt trimming the liner, . . . you won't do that if you trim the whole thing on a sander. I use a little $50 belt sander I bought (have 2 of them now) from Harbor Freight, . . . my sanding and trimming for one belt that used to take an hour, . . . now takes 3 or 4 minutes, . . . much better job also.

I have also used a little $3 cheapie 2 inch round sander that goes in a drill. I mounted it it a drill press, . . . made a little wooden rip fence for it so it couldn't dig in real deep on my belts, . . . that actually works very well also.

May God bless,

Dwight

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Getting ready to try a belt myself.

1) Really like the buckle!

2) No keeper?

Regards

Michael

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Did you have a way of laying out the stamping before you get the tools out? The stamping and the stitching look really even and consistent. Even with the small mistakes you mentioned, I think it looks great.

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Thank you all for the input!

...I'll get a belt sander today!

Buckle:

The buckle is from Tandy. It's the only 1 3/4" buckle I could find on their website. I like its simplicity.

Keeper:

Since it's a center bar buckle it keeps the protruding end of the billet pretty close to the belt. Nevertheless I plan to add a keeper which is easily done since I used chicago screws.

Layout:

The layout of the stamping is based on Will Ghormleys "Hand of God Rig" pattern (http://www.willghormley-maker.com/MakingHOGRig.html).

I replaced the Mule's Foot by a border tool which I found more easy to control. I had already botched a strap by carelessly stamping away which resulted in tilted Mule's Foot impressions and poor lineup of the two rows. It pays to follow Will Ghormley's instructions and to prepare the stamping with a square and a Wing Divider.

Stitching:

Instead of a stitching wheel I used diamond-shaped chisels (1, 2 and 4 prong) which I only tapped lightly. The actual stitching holes I created with a diamond-shaped stitching awl that I chucked into a drill that was mounted in a drill press in order to maintain a 90 degree angle, a 45 degree cant and a certain depth (the tip of the blade barely coming out on the backside). For each stab I lifted the belt some till the awl caught the chisel impression, and then pressed down.

This method might seem ridiculous to the experienced two-needle-and-awl-jugglers, but it worked for me and for now and enabled me to generate a nice stitching line on the backside of the belt. Only now I created a stiching channel on the inside, rubbing a wooden modelling tool fiercely along a ruler.

The actual sewing (two-needle method) was a piece of cake (although time-consuming) except that I should have chosen a good quality thread.

Thank you all again for your kind comments,

Rudi

Edited by LederRudi

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Looks good Rudi

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Thank you, Mike!

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When you use white stitching, you pretty much have to final finish the belt first , then stitch. Looks like your white stitching got a bit contaminated with dye and appears "dirty"......this is one of those I learned the hard way too.

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When you use white stitching, you pretty much have to final finish the belt first , then stitch. Looks like your white stitching got a bit contaminated with dye and appears "dirty"......this is one of those I learned the hard way too.

In fact I did the stitching after dying and finishing, but you are right: it does look dirty. I think this is because the thread is heavily waxed. I thought I could get rid of the excessive wax by running a stitching wheel over the stitching afterwards, but that obviously didn't pan out. I've seen people melting away the superfluous wax with a lighter (is that standard procedure?) but I didn't like the idea of holding a flame to an artificial thread. The thread also dragged up some glue although there were more than 24 hours between glueing and stitching. Could it be that I applied too much glue or/and that I should have waited longer?

In the forums here I've read pople going on about so-and-so-many strand linnen threads and the like. What would be the best choice for a project like mine (8-9 oz belt with 4-5 oz lining)?

Thanks for your input

Rudi

Edited by LederRudi

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The belt looks good. I'm thinking your folded part is longer than it needs to be but that doesn't matter a whole lot. I tend to agree with you not putting on a keeper with a center bar buckle, I don't think they look right with a keeper right after it and they really aren't needed.

Another trick to get rid of some of the wax is to pull the waxed thread through a piece of a paper bag, just press the thread between two fingers in between the paper bag and pull through, the friction will melt some wax off and the bag will absorb it.

You should be good with about a 5 strand linen thread, you could get away with thicker too depending on the look you want.

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The belt looks good. I'm thinking your folded part is longer than it needs to be but that doesn't matter a whole lot. I tend to agree with you not putting on a keeper with a center bar buckle, I don't think they look right with a keeper right after it and they really aren't needed.

Another trick to get rid of some of the wax is to pull the waxed thread through a piece of a paper bag, just press the thread between two fingers in between the paper bag and pull through, the friction will melt some wax off and the bag will absorb it.

You should be good with about a 5 strand linen thread, you could get away with thicker too depending on the look you want.

Thank you for your kind comment and advise,

Rudi

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I think it's really pretty Rudi. Cheryl

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Thank you, Cheryl!

Rudi

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Meine Herr Rudi, it looks great. Quality workmanship is apparent.

God Bless.

Ray

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Danke for the compliment, Ray!

Rudi

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I really like it. It looks great!

Funny, I just made a belt similar with the large veiner and mule foot, but un-dyed and unlined with only a mink oil finish. I wish I had a splitter to thin out the end at the buckle fold, but they are expensive. I have tried practicing with a skiver, but the results weren't that good for me to risk using it on a belt. I used large line 24 snaps to secure and the Nickel Seaton Center Bar buckle Will Ghormley puts on a lot of his belts. I also use a metal square for alignment of stamps as Will Ghormley illustrates in the H.O.G. Rig Pattern Notes and as you mentioned. The metal square I picked up at Lowes has a thicker 1.5" side and a 1" side. I use the 1" side and mark on each side of it. I generally run the veiner out a few stamps and come back with the mule foot. If I cover the mark with the very end of the toe of the veiner as I go, it usually leaves just enough room for the mule foot between..............Rory

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Funny, I just made a belt similar with the large veiner and mule foot, but un-dyed and unlined with only a mink oil finish. I wish I had a splitter to thin out the end at the buckle fold, but they are expensive. I have tried practicing with a skiver, but the results weren't that good for me to risk using it on a belt. I used large line 24 snaps to secure and the Nickel Seaton Center Bar buckle Will Ghormley puts on a lot of his belts. I also use a metal square for alignment of stamps as Will Ghormley illustrates in the H.O.G. Rig Pattern Notes and as you mentioned. The metal square I picked up at Lowes has a thicker 1.5" side and a 1" side. I use the 1" side and mark on each side of it. I generally run the veiner out a few stamps and come back with the mule foot. If I cover the mark with the very end of the toe of the veiner as I go, it usually leaves just enough room for the mule foot between..............Rory

Thank you for the input, Rory!

Last summer I made an unlined belt for myself and also gave it only a coat of oil. The flesh-side absorbed a lot of sweat when I wore the belt in Turkey. Streaks of salt then showed on the grain-side as well. thus I learned that sealing of the inner side is indispensable.

I didn't do any skyving on the belt I'm showing here. I don't like the idea of weakening the leather where most of the stress is to be expected.

Since I thought of attaching a pouch that contains some essential items (money, credit cards, passport...) I wanted to be on the safe side and preferred screws over snaps.

Leatherwork isn't very popular on our side of the pond, therefore I'm pretty dependent on Tandy UK when it comes to hardware or tools. Any import from the US would about double costs.

That's a good idea to use the thicknesses of a square! Very simple - and I hadn't thought of it!

Rudi

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I'm typically not a huge fan of tooled belts... But now I'm thinking I just haven't seen a tooling pattern I liked, this one looks really cool and not overly busy. Might have to rip that little design off fom you ;)

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I'm typically not a huge fan of tooled belts... But now I'm thinking I just haven't seen a tooling pattern I liked, this one looks really cool and not overly busy. Might have to rip that little design off fom you ;)

I like this simple design too. I didn't invent it though. I've seen some variant or other posted here. And I've already ripped it off from Will Ghormley (http://www.willghormley-maker.com/MakingHOGRig.html).

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