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Found 30 results

  1. Here's a portrait of my best friends mom. She passed from cancer a few years ago and I thought he might like this for his birthday this week.
  2. Hey everyone, I've posted the carving in the figure carving area. This is the completed colored portrait. It is of my grandparents and will be sent to my dad for Christmas. Anywho, im always open to critique and I hope you enjoy it.
  3. This is a leather rendition of the only portrait of my grandparents that I have. I hope I've done them justice with my first leather portrait. I used a swivel knife and some modeling spoons for this and some bevelers and things for the background.once it dries ill try some color, maybe a sepia type look. Still unsure about color. Always open to critique. Thanks
  4. Myself and a friend were booked for the making realistic figure carving pieces. We were to make a lifelike portrait of sitting bull. He is horribly ill and cannot make it. If you are going to the southwest leatherworkers show and was interested in an 8 hour class tomorrow please call the Brian at leathercrafters and saddlers journal. 715-362-5393
  5. Here's a custom rifle sling I did a few weeks ago. I lined the shoulder part with 4-5 oz bison with the flesh side out so it won't slip off the shoulder as easily. Also, I noticed that the bison edges burnish pretty well with the veg tan. Ryan
  6. This is Figure Carving Finesse, packed with info on how to perfect your figure carving skills. I think it normally retails for around $30, I'll sell this one for $20 plus shipping. YinTx
  7. Hello! Here is a wallet I am working on. Still trying to improve at figure carving so any tips/advice is appreciated. Ryan
  8. Hello, again! Here is the gun belt to the holster I posted earlier. A friend commissioned me to make it for his 45 Colt Ruger Blackhawk. He's a big fan of tie-down roping and asked me to incorporate some roping scenes. Let me know what you think and please ask if you have any questions. -Ryan
  9. After training on animals and flowers, I decided to try to perform a carving of a person's face. This work still in the process, but I would like to hear critical remarks (For which I will be very grateful) - there is still an opportunity to make adjustments.
  10. Mountain lion, version 2. Based on previous errors. I decided to describe the process - maybe someone will be useful. First I do the preparation of the leather insert. 4 layers of veg tan leather 7 oz = 11 mm. I form the insert with a scalpel and knives for wood carving. After that I process it with the finish (I'm use Appretto Mild). Next I Transfer the drawing to the leather. Stretch the leather on the insert. Using bevelers, I create a bas-relief. Now I'm making wool. To be continued...
  11. Mom asked me to make a small thing with a picture of a lion for gift to colleague . He travels a lot, so the choice was stopped on the cover for the passport. Carving & Embossing was performed. Painted with a spray gun Dyed and applyed finish Now it remains to stitch.
  12. Here is a recent creation of mine for a friend. She is moving away and asked if I could make her a billfold. She said if I could possibly carve a silhouette of a horse, that would be great... and of course when someone is easy to please and doesn't want you to go through a lot of trouble, it just makes you want to go all out on it. And I happen to know she really likes duns and buckskins. The veg tan is 4 oz belly and the lining is pigskin. It is machine stitched. I tried something new in my stamping by spacing my camouflage a little more and then adding a seeder dot in between them. I actually think it looks pretty good that way. Any questions? Comments/critique are always welcome. Thanks for looking! -Ryan
  13. It's a design from one of those Al Stohlman stencils, I'm not designing my own yet. It's 9oz leather. It just doesn't look right. I feel like I'm doing something wrong. I used to have an issue where I was tooling with the leather way too wet, so I stopped doing that and all my work looks improved, but I still feel like something is not "clicking"? Like I'm missing something about this. I have most of the Al Stohlman books including Figure Carving Finesse. Sometimes it's a bit overwhelming and confusing though, and most of all I wish I could see his work in real life, because I stare at the flat photos in the books and I wonder how deep the cuts are and such...and sometimes it's hard to make out what effect he's trying to teach? I feel like I need to see and touch to really understand, but that's not possible...I don't know any leatherworkers in my area either. I feel like maybe I'm striking too hard or cutting too deep? Beveling too deep? Using the wrong bevelers? Stohlman recommends certain specific bevelers for figure carving, but I don't have those exact ones (yet). I have these straight bevelers, B935 and the bigger/wider version of that one. Will it really look THAT much better if I use the triangle-shaped "figure bevelers" Stohlman says to use? Also I don't know what Stohlman means when he talks about using the modeling tool to "smooth and round off edges" of the beveling. Like, I see this ledge that occurs when you bevel, but I don't really understand how to make it round, when I try to use the modeling tool on it it just feels like I'm making the image less dynamic and pressing the edges down so they don't stand out as much. idk if that makes sense. Obviously the lines inside the animal (supposed to be muscle definition) is a hot mess. Also I suppose I should add some fur texture? So idk. Any and all advice and critique is welcomed. I kinda like how this turned out because I really like working with thick leather, it allows a lot of depth which is fun, but I still feel like I'm not understanding something about it.
  14. Way back in July I posted a figure carving I was frustrated with and I needed help/critique. A lot of people came through for me, but especially user immiketoo, with a video from his site learnleather.com. I encourage everybody to go here if you need videos about figure carving and using a modeling spoon. The modeling spoon video he gave me was invaluable in the improvements I made. So here are two figure carvings: both are the same deer pattern. The first one is the one I uploaded back in July asking for help. I did not have the figure carving bevelers, or a good modeling spoon. The second one is after watching immiketoo's video, buying figure carving bevelers, and also buying Peter Main's modeling spoon just this month. I got busy with school and couldn't afford the modeling spoon for awhile, so this is why it took so long for me to make another attempt. However I believe this carving is already much better. Anyway here they are, and if anybody has any further critiques or suggestions for improvements, feel free to share. Edit: the uploader isn't working. My files are under the size limit but the website disagrees for some reason. I'm going to see if I can post them underneath in the comments.
  15. Hello! I am just starting out, and for my first project, I am trying to make an underbust corset with a crescent moon and star design (Mord Sith cosplay from the Sword of Truth series). I attempted the basic design on a scrap piece of 4/5 oz veg tanned, but I have not purchased any figure carving tools yet, so I attempted using my set of modeling tools to tool it with very poor results. With that being said, are there some basic figure carving tools that I should invest in which will be useful in many different projects? I am thinking of getting a midsized pear shader (P217 Craftool Pear Shader Stamp) and a square shaped beveler (B200 Craftool Beveler Stamp). Also, the main body of the underbust will be oxblood red. I have Fiebing's Leather Dye in Oxblood for that. The moon and star need to be yellow- I have the EcoFlo Cova Color in yellow. My question- should I dye it all with the oxblood so I don't get weird streaks from trying to work around, and then do several coats of the yellow over that? Or should I avoid dying an area that needs to be painted? I have attached photos of the inspiration for my costume as well as my first attempt at the moon and star design. I know I need a lot of practice on scrap
  16. ONLINE LEATHER CARVING CLASS ANNOUNCEMENT! If you're like many people, the idea of carving faces gives you nightmares. This class is designed to help you get over the fear of making Aunt Myrtle look like Uncle Marv. Or the family dog. Or whatever. Join me as we embark on part on of a facial feature series! This class is $25.00 and will be at least an hour long. As always, there will be a recording available if you cannot attend. Please register for Facial Features-Part One: Eyes on Thursday, August 17, 2017 9:00 PM - 10:00 PM CDT at: https://attendee.gototraining.com/r/3511349041589877250 The eyes are the window to the soul. This is true in any art medium, and throughout history, eyes have helped artists capture the breadth of human emotion. Join Mike Dale in this multi-part study on carving faces. Part one will explore how to carve realistic looking eyes. Mike will discuss artwork selection, realistic vs. cartoon eyes, carving techniques, tool selection, common mistakes and answer any questions you might have. After registering you will receive a confirmation email containing information about joining the training.
  17. This was a custom order I finished recently. The customer wanted a notebook with a turkey and a deer carving on it because her husband likes to hunt both animals in Kansas. She also wanted turkey tracks to appear on it somehow. Finally it needed the message 'Love Mom, 2015' inside because it was really going to be a birthday gift from his Mom to her husband and she was just organizing it. Sound complicated enough? After a few practice carvings to get the turkey and landscape right, this is what I came up with. Apparently the husband was thrilled with it.
  18. I am carving a fantasy serpent breaking the water after a fish, i want the mouth half open and the bottom jaw just breaking the water! But i cannot get the water to look right! Any tips? I will post picks, but they are messy as i am trying a whole mess of techniques!
  19. Here's one I finished a few weeks ago. It is a leather notebook designed to hold an 8 1/2 x 11 refillable notepad. The front is a full floral design and the back has an inset pictorial carving of a mountain scene surrounded by basketweave stamping. The outer leather and interior pocket are Herman Oak, with a pigskin lining. The outer edge is laced with Whiskey colored Kangaroo lace from Packer in Australia. I made this as an entry in the World Leather Debut show in Sheridan, WY this year. It didn't place but it did score pretty well and I'm happy with it, though I do see a lot of room for improvement. I made it for my personal use so the customer is satisfied. The notebook was antiqued and in the pictures it looks pretty uneven, but most of that is just not setting up very good lighting when I took the pictures. Overall it came out pretty even color. Thanks, Bob
  20. I had the pleasure of taking a one day figure carving class with Robert Beard this past Saturday, thanks to the Columbine Leather Guild in Denver. The subject was the Tree of Life, and I'm very pleased with how this turned out though there is plenty I could improve on. Just had to show it off.
  21. Hi y'all! Wanted to share an update of my current leather project. Native woman on leather canvas with braided hair and black opals for her eyes. If you are so inclined, please check out my website and join my bi-monthly "newsleather" to stay abreast on all my current and future classic leather creations! www.classicleathercreations.com Happy Leather Working! Brett C.
  22. Hey Ya'll! Wanted to share my latest figure carving... It's of my wife when she's "Hangry." Hah! Just kidding. A beautiful image of the once majestic California Grizzly bear. Happy carving! Brett C.
  23. Hi y'all! Attached is my finished first attempt at figure carving as well as incorporating the Mexican Basketweave lacing technique. I learned a lot during this process mainly what not to do next time. I.e. I will make rounded corners on the leather canvas so the lacing will cover them nicely and tightly. Is there anyway to get the lace closer together? Does it depend how I space the lacing slits? I will always be my toughest critic but I am very happy with how "Buddy" turned out. Like I said before, I've taken notes on things that I will change or improve on in the next project. Feedback is welcomed. Happy crafting! Brett C.
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