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Poprivet

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Everything posted by Poprivet

  1. That's an interesting site. Their notes are about sunlight 'lightening' leather. Which seems really odd to me since I've got a bunch of examples where the opposite has happened. Maybe it's not the sunlight, but exposure to something else in the air that's darkening my pieces. Thanks for the link! Hmmm, cool idea! I've got a bag of oxalic stashed from my last trip pulling quartz crystals out of a hill in Arkansas (good cleaner.) I'll try a little test corner. Thanks! That's absolutely what I should have been doing. I got this tied in a roll at Tandy and left it that way until I could get around to the project. Big mistake. I'm going to go reverse all my other pieces now. Great advice, thanks!
  2. I've got a 7-8oz veg tan shoulder that I'd stored in a roll (no room to store flat alas.) Having finally gotten my other projects complete, I pulled it out to start the project I bought it for which will require the entire shoulder, uncut. Unfortunately, though I thought I'd had it out of the sun, the outside of the roll (approximately half) is distinctly darkened. This picture more or less gives a crappy idea of how much darker the exposed portion is: While it's not as bad as some leather 'tan lines' I've dealt with, this particular project will suffer if I can't even out the tone. By the time I'm done, most of the piece will be stained or antiqued, but I'd really like to start from an even base. I'm fantasizing about masking the dark part and taking the shoulder out into direct sunlight for short stretches (or for that matter, I have a silk screen UV lamp and timer, but it's pretty potent.) It will be difficult, given the requirements of this project, to cut pieces off for testing. Maybe I can trim a few slivers.... In any event, does anyone have anything like a rule of thumb for direct sunlight exposure and darkening? Or a 'enlightening' anecdote about handling a similar issue? Thanks in advance! --tim
  3. From the album: Wrist Brace

    8 oz

    © Timothy Deagan 2014

  4. From the album: Wrist Brace

    © Timothy Deagan 2014

  5. From the album: Wrist Brace

    © Timothy Deagan 2014

  6. From the album: Wrist Brace

    © Timothy Deagan 2014

  7. From the album: Wrist Brace

    © Timothy Deagan 2014

  8. From the album: Wrist Brace

    © Timothy Deagan 2014

  9. From the album: Wrist Brace

    © Timothy Deagan 2014

  10. Poprivet

    Bag Top

    From the album: Mystic Biker Messenger Bag

    © Timothy Deagan 2014

  11. From the album: Mystic Biker Messenger Bag

    © Timothy Deagan 2014

  12. From the album: Mystic Biker Messenger Bag

    small rings are there to allow backpack straps or a belt clasp if desired.

    © Timothy Deagan 2014

  13. From the album: Mystic Biker Messenger Bag

    Three pockets with snap close flaps, two side pockets and an iPad sized pocket in the back.

    © Timothy Deagan 2014

  14. From the album: Mystic Biker Messenger Bag

    4 oz. leather, hand carved, Resolene finish

    © Timothy Deagan 2014

  15. From the album: Mystic Biker Messenger Bag

    Strap is hair on hide, may not be the final, but I really like it. This is my 'mystic biker' style work (I'm also trying to work up 'vampire tiki' and 'aztek steampunk' :-)

    © Timothy Deagan 2014

  16. From the album: Mystic Biker Messenger Bag

    I had to create a stand-off for the strap mount so it didn't warp the top flap when it pulled up.

    © Timothy Deagan 2014

  17. From the album: Mystic Biker Messenger Bag

    The skull doesn't show until you lift the main flap, but the LIVING HELL does.

    © Timothy Deagan 2014

  18. Poprivet

    Bag flap

    From the album: Mystic Biker Messenger Bag

    Center is carved, side stripes are tooled.

    © Timothy Deagan 2014

  19. It was my first real attempt at carving, so I went a bit overboard. Many lessons learned. For one, that's the last time I'll hand stitch through 7 layers of 4 oz.
  20. Just finished a messenger bag that took waaaaay too long!
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