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Paramedic04

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Posts posted by Paramedic04


  1. Think of an oz of leather being 1/64 of an inch. 8oz = 8/64" = 1/8". I've never done a stock cover with cartridge loops, but I try not to tool or stamp on anything thinner than 6oz. I definitely wouldn't go any thinner than 10 oz on a sling as veg tan cowhide does have a tendency to stretch the thinner it is. I'm fairly new to this as well, mainly doing holsters, belts, and some fire department related strap goods, but it sounds like you're on the right track.


  2. If you dyed the leather before working it, you should have been all right. Molding will stretch the leather; burnishing it will close the cell structure. Both will cause uneven dye absorbtion

    How did you apply the dye?

    What brand of leather is it?

    tk

    I was thinking along the same lines. I wet mold first before I dye, because I had some inconsistencies such as what you've experienced using water based stains and dyes. I switched to Fiebing's Pro Oil and now I can do the dye job before or after, the color stays regardless.


  3. I use copper rivets or chicago screws depending on the application... the dual cap rivets have never impressed me. Definitely worth the effort to attach the clip to a separate piece, then glue and sew that piece to the holster if you're doing them in a foldover style holster. You don't want to hear the sound of a newly cerakoted or hydrodipped weapon sliding into a holster with a rivet making contact and marring the finish (made that mistake, and thankfully it was with my own gun, not someone else's).


  4. TwinOaks, I learned that the hard way on one of my earlier holsters. If I make a holster for a weapon with a rail on it and there's no accessory mounted, I make sure to put some gaffer tape over the length of the rail to make sure I don't get the interior molded too tight in the grooves. Thanks for looking! I appreciate the pointers... were it not for this community, I'd still be sitting at the bench scratching my head. Everyone here is an awesome wealth of knowledge and it is greatly appreciated!


  5. Ok, up to this point all I've really done for revolvers is an Avenger style holster for revolvers. My dad saw my 1911 pancake holster and wanted one similar for his Colt Python. Making a pattern for the semi autos are simple due to them being fairly flat along the length of the sight line. For all of you holster makers, how do I adjust this process of pattern making for a revolver? The cylinder is almost directly over the trigger well and I'm trying to figure out where I compensate for the cylinder thickness in my seam line. Usually I'm pretty good and finding an answer for this, but for some reason, no matter how many times I sit to research this throughout the forums and various search engines, I can't find the answer. Any help is greatly appreciated, and to the admins, thanks for maintaining the best resource for leather craftsmen on the internet! This forum is amazing!


  6. In my experience, if you thin the acrylic down with a reducer and apply in light coats, flexing the leather while it dries with each coat, it shouldn't give you too much trouble. Acrylic sits on top, unlike spirit and oil dyes that penetrate the grain. Also, if you have any resolene, a coat of 50/50 mix (with water) will help your paint stick more evenly. I use Wicked Colors by Createx. They come pre-reduced and light coats really make those colors pop.

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