Jump to content

ThisIsMyFirstRodeo

Members
  • Posts

    73
  • Joined

  • Last visited

Profile Information

  • Location
    Tucson, AZ
  • Interests
    Bbq, comp bbq, cooking bbq, eating bbq,
    Oh, and a wide variety of crafting in a sad, sad attempt to sell enough to sustain any of them…

LW Info

  • Leatherwork Specialty
    Cutting perfectly good shoulders into scrap
  • Interested in learning about
    Not cutting perfectly good shoulders into scrap
  • How did you find leatherworker.net?
    I think through bladesmithforums

Recent Profile Visitors

The recent visitors block is disabled and is not being shown to other users.

ThisIsMyFirstRodeo's Achievements

Member

Member (2/4)

  1. I have started taking my edger to my buffing wheel, which did have an immediate (positive) effect, but as I can only get the back/bottom side, how do I sharpen the cutting blade itself?
  2. Thank you, it’s been puzzling me. I also noticed about the flesh being a little easier to work, so I guess I’m on track, but thank you for clarifying. AZR ps Your Stan Lee is amazing!
  3. Hey all! So I’ve read/watched a few sources saying to bevel the flesh side before the grain, but none have said WHY… Any help from the peanut gallery? thx, AZR
  4. I repeated the experiment, but this time I sprayed the strips with water to see if that would even out the unevenness, and skipped straight to 5min. This time, it was worse. Much worse. And the depth of color was nowhere near that of the first experiment. Conclusion: Don’t spray your leather with water first… Cheers, AZR
  5. Experiment: Testing 4 different ferrous and non-ferrous acetates to react with 6-7lb econo veg tan leather, using ~1min and ~5min dip times. Methodology: 1) Prepared 1 mason jar each of classic vinegaroon, classic vinegaroon, copper scrubbie substitute, SS scrubbie substitute. Jars have been sitting outside in mostly direct S.AZ summer sun, probably about 100F. No control for leather or with straight white vinegar will be used. 2) Dip a strip of undyed 6-7lb econo veg tan completely for ~1min. 3) Pull halfway out and continue dip for another 4min, for a combined time of ~5min. 4) Hang each on the “shaded” side of the jar to air dry. 5) Analyze and evaluate results at 1hr. 6) Test strips will not be stabilized with baking soda solution. Hypothesis: 1) Initial coloring will be relatively dark, and fade with time. 2) Longer dip time equates to darker color. 3) Because leather is porous, the color of the 1min dip may be skewed by wicking action. 4) Stabilization with baking soda solution (untested) may alter results. Prognosis: Based on historical and commonly available observations, results will be as follows: Jar 1 (classic vinegaroon 5wk aged) will be darkest, followed by Jar 2 (classic vinegaroon 3wk aged), then Jar 3 (copper scrubbie 6wk aged), and finally Jar 4 (SS scrubbie 6wk aged). Each of the testing strips will have noticeable but slight variations of color between 1min and 5min, and the strips themselves will have distinct depths of color. Results: At 1hr: A) The longer dip time yielded darker colors. At 1min, surprisingly, Strip 2 appears slightly darker than Strip 3, and results (darkest to lightest) as follows: 1,2,3,4. C) At 5min, results as predicted with results (darkest to lightest) as follows: 1,3,2,4. Observations: At 2hr, the colorations are evening out on Strips 1 and 3 (classic 5wk and 3wk). Surprisingly, Strip 2 followed by 4 (copper and SS) were the most evenly colored at each time. Also unexpected Strip 2 (copper) was very close to Strip 3 (classic 3wk), just slightly behind Strip 1. Although Strip 1 was the darkest at both times, the evenness of Strip 2 would give the copper scrubbie my preference in general. Strip 4 (SS), though, may warrant further experimentation into blue tones, and lend a really cool effect with a blue dye. Also would like to compare to dipping in straight white vinegar. Having issues posting pictures of the results. Almost like it’s my first rodeo or something 😉… If I’m missing something, or have made an error along the way, please correct me. Cheers, AZR
  6. Greetings Nigel!

    In one of your videos, you had mentioned that you primarily construct your pieces in an “English” style. What exactly does this mean? Could you give examples of various styles/aesthetics?

    Preston 

  7. (Original post edited) I was going to give yet another glowing review to his saddle stitch tutorial, but it simply isn’t necessary.
  8. Wow. Just. Wow. Beautiful work! AZR
  9. Hey all, So I’ve been playing with the Angelus purple dye (on 5oz veg tan, if it matters), but I keep getting splotches of metallic/iridescent gold-ish color. How do I prevent/fix this? Thanks, AZR
  10. Hi all, I'm sure this is probably a common issue with a simple answer, but how do I stop the dye from staining my thread as I stitch? Am I missing a step in setting the dye (like Rit for fabric)? For reference, current shenanigans: 6oz econo veg tan, Angelus oxblood dye, Ritza 1.2mm beige thread. Thanks, AZR
  11. Further observations: SS: color hasn’t returned to liquid yet. Dipped a swatch this morning. At first, started to darken. As it dried, some light staining on flesh, only a hint of shade on grain. Cu: surprisingly vibrant color, similar to a new penny, but can clearly see through. Dipped a swatch last night. Darkened some initially, now a slightly pale blue color wash. Tossed outside again today, color seems to be fading from jar. 2nd Fe: Still relatively clear, nothing to settle out. Dipped a swatch last night. Initially turned relatively dark. This morning, disappointingly faded out. Outside also, almost seems to be a soapy dishwater appearance. 1st Fe: Black at top few inches, black sediment settled, gray-black but translucent. I cheated and dipped the faded Fe swatch from last night. A rather hazy navy blue color. Outside also, the jar is an opaque charcoal gray. All swatches buff veg tan. Will update observations as I think about it… AZR
  12. Have you found a quality wheel? I’ll admit that mine are bottom-of-the-barrel price and most likely quality to match, but the few I’ve found don’t necessarily match the spacing of my irons, and tend to wobble on the axle. AZR
  13. Thank you for the table, great reference. I use almost strictly 1.2mm Ritza myself, but still use basic blunt harness needles. My hand stitching is improving though, so it may be time to start practicing with more delicate techniques. As far as the range of irons, I’ve seen a few different descriptors, and per Nigel Armitage, there are a handful more that I haven’t come across yet, primarily of various European styles. Any insight into this? I haven’t bitten the bullet yet to experiment myself , as $60-$100+ per iron is a rather pricey let’s-see-what-happens, and I don’t know any other leather workers enough to ask to borrow their tools… Primarily, I guess between stitching chisels vs stitching irons, and stitching vs pricking (though that’s a little more obvious). Or to step up my overthinking skills, Jap vs French vs Brit vs etc. Nigel does have a detailed text comparison of irons here https://armitageleather.com/wp-content/uploads/2021/12/Pricking-Iron-Review-Jan-2020.pdf, though he doesn’t define here the styles, or identify which irons are what. AZR
  14. Is that the price point to expect for stepping up from entry-level? Clearly they can go much higher, but just to know what to expect… AZR
×
×
  • Create New...