Vince

Hi Ed, Thank you very much for your answer. I'll try your technic next time. To summarize: Toolling -> Oil -> Dry -> Dye ->Dry -> Resist ->Dry -> Antique -> To get back to my second attempt (see above), I found out that the pear shading, beveler did not keep the antique compared to your realization for exemple, Any idea why?

All, I managed to get antique and resist (fiebings antique tan + fiebings lac kote), I wanted to share my first result and check couple of points with you: - This was my first attempt and I realize that the antique dry very fast and it is not good to apply it in the sun, I ended up with antique stain when I tried to remove the excess + I used damp sponge to remove the excess but used too much water and more stain appears... - Second attempt, I apply resit on half of the project and used antique on it Actually , I am a bit disapointed with the result, I was expecting the antique will penetrate more in the resist part. Is it due to the tan being a light color ? Should I expect the same result with darker color ? - I am wondering how I can get the following result for the dyeing part, do they apply dye, then resist then antique ? Or antique, then resist then antique again? Any advice is welcoming ;-)