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here are 2 more purses i now the last one the pic is well just not good i am trying but cant get it better

dont be shy just tell me if it ok or wrongevillaugh.gif

resise1.jpg

resise2.jpg

resise3.jpg

post-6282-126201721538_thumb.jpg

post-6282-126201722529_thumb.jpg

post-6282-126201723413_thumb.jpg

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Richard, I am by no means an expert, but one suggestion that I have is to fade out your backgrounding. That is, hitting your background tool harder when it is up near your carving, then lighter & lighter as you move further away from it. I sometimes also use a modeling spoon to help fade.

By the way, I do like the coloring & I really like the design on the second purse.

Cheers

Edited by Bryan

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Hi Richard,

First let me say that your purses are very nice for someone just starting out. I like the pattern with the oak leave and the Dogwood flowers. So I hope you do not mind but I amde up a pattern from the photo you supplied and changed it a bit here and there and then carved it in leather.

D'abord laissez moi vous dire que votre porte-monnaie sont très bien pour quelqu'un qui commence juste dehors. I like the pattern avec l'autorisation de chêne et les fleurs du cornouiller. J'espère donc que cela ne vous dérange pas, mais je Amde un motif dans la photo yu fourni et changé un peu ici et là et puis l'a sculpté en cuir.

Forgive my French as it rather sucks! As Bryan noted, you need work on the backgrounding. Practice on some scrap leather until it feels comfortable. While I think that a pattern is not unlike sheet music and everyone plays it differently there are usually common approaches to stamping. I will cut the pattern with a swivel knife and then I use my Pear Shaders. After that I use an Undercut Beveler followed by my Smooth Bevelers. Then the Flower Center or Seeders and Stops inside the flowers. I then use a hair Blade on the leaf stems and ad my decorative cuts. Last I will do my backgrounding.

Pardonnez mon français car il aspire plutôt! Comme Bryan noter, vous devez travailler sur la semi-finition. La pratique sur certains cuir gratté jusqu'à ce qu'elle se sent confortable. Même si je pense qu'un modèle n'est pas sans rappeler les partitions et tout le monde joue différemment il ya des approches souvent communs à l'estampage. Je vais couper le motif avec un couteau pivotant puis-je utiliser mon Shaders Poire. Après cela, j'utilise un Beveler Undercut suivie par mon esmeriladoras Smooth. Ensuite, le centre de la fleur ou des semoirs et points d'arrêts dans les fleurs. J'utilise ensuite la lame d'un cheveu sur la feuille des tiges et des réductions d'annonces décoratifs mon. Enfin je ferai de mon semi-finition.

You need to try and feather out your pear shader as you walk it slowly forward. Use a modeling tool to smooth out the areas that do not feel right. I like the pattern and as I have not seen it before feel you must have created it yourself. Attached is my version of your pattern.

Vous devez essayer de plume votre shader poire comme vous marchez lentement vers l'avant. Utiliser un outil de modélisation pour lisser les zones qui ne se sentent pas bien. J'aime bien le modèle et comme je ne l'ai pas vu avant sentez que vous devez avoir créé vous-même. Ci-joint mon version de votre modèle.

All The Best,

Storm

Edited by Storm

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well thank you for the sugestion i will us them, and do not worry about your french my english is not that good ether lollll

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Critique: On the leaves. When you are using the veiner, it needs to point both out and tword the tip of the leave. You have a lot of them tipping to the base of the leave. Look ar a real leave and you will see the proper direction for them to go. It is very comon to make this mistake because of the curve of the veiner tool. It almost seems wrong to do it properly till after you hit it and remove the tool.

Aaron

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