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Posted

First let me say how amazing your work is !

May I pose a question or two?

On my last padded seat the thought entered my mind. What is a proper space between the cantle edge and the padded seat?

How tight is to tight? How much material do you need to maintain proper integrity on the seat?

also if you would tell me about your finish process I would be very pleased

Thanks

Josh

Josh

Dusty Chaps Leather

&

Seven O Saddle Shop

801-809-8456

Keep moving forward! On a horse.

Hebrews 4:12

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Posted

Sure is a thing of beauty. I really like the shape of the inlaid seat. I always kind of wonder about what Josh asked, too. Chris Tornow

www.horseandmulegear.com

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Posted

First let me say how amazing your work is !

May I pose a question or two?

On my last padded seat the thought entered my mind. What is a proper space between the cantle edge and the padded seat?

How tight is to tight? How much material do you need to maintain proper integrity on the seat?

also if you would tell me about your finish process I would be very pleased

Thanks

Josh

Sorry to take so long to get back here... just been too busy to check the computer.

Good question on the inlaid seat. I try to make the cut out as wide as possible to prevent the rider from feeling the edge. This can get quite close to the corner of the cantle. I make a "pillow" for my inlaid seats using a piece of firm 3-4 oz tooling leather for the bottom under the rubber. This gives the seat support from side to side allowing me to get closer to the corner without sacrificing integrity of shape. I am more concerned with comfort and then aesthetics at this point. I calculate the cutout to correspond to the lines of the cantle binding and the tooling borders of the dish and ears of the seat. There is usually about an inch to 1 1/4" from the ear cut of the seat.

Your next question about my finishing process is a much bigger question. What specifically would you like to know about? And in how much detail? The basics... Color is a custom mixed color to be a rich chestnut, oiled to depth with olive oil. Antiqued finish is lacquer, Fiebings mahogany antique paste, and another lacquer. Background is dyed with chocolate dye. The real color is achieved with the oil. It takes several coats and several days to balance the color prior to final finish.

Thanks for the compliments.

Keith

Keith Seidel

Seidel's Saddlery

www.seidelsaddlery.com

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Posted

Yes, clear work with incredible produce.

I thought is impossible produce this work on earth :notworthy:

These pics are truly inspirational :thumbsup::specool:

Thanks for your pics

Martin

Posted

Keith,

I have admired your work since I came here to L.W. I would like to be a fly on the wall in your saddle shop so I could watch you work, and learn all your saddle making secrets!

Hilly

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Posted

amazing cantle binding, beautiful tooling!

Bill

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