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Kcinnick

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Posts posted by Kcinnick


  1. The Press-n-Snap and the Snapmaster are made for the canvas/sail/awning trade as they can set ligne 24 (Durable Dot) fasteners and grommets. You set so many snaps in that industry that you load the machine up for whatever you are doing and that's that. That is why they also sell them bare bones as you buy one with dies and one without and make two setters out of them, one for each side. An active shop or loft is going to have 10 of these things for all the different fasteners they set. They will also have 4 or more Snapmasters for the Common Sense and Lift the Dot fasteners. You can't imagine how many of those things you set in a year, way over the 100K mark.

    For the average leatherworker (or even hobbyist), one of the Little Wonder presses from Weaver would be better as you can set anything you can buy dies for, and Weaver sells a whole lot of dies. It comes with gear for rivets, and you can buy dies for the snaps you need.

    Art

    Is there another good bench mount snap setter out there, for a few less bucks.


  2. No matter what I do I cannot get the dye to stop coming off my edges. Here is a description of my last attempt.

    Well, I got some empty "Copic Sketch Markers", they are perfect for doing edges. They are made for comic book artist to ink drawings with alcohol based inks and come with a chiseled tip and point tip that is soft almost like a paint brush.

    My lines are now perfectly straight, angling the chiseled tip at the correct angle to the leather and a steady hand makes for a nice clean edge. Now I am still back to my original problem, I have still having dye rub off!

    I am able to get a clean edge before or after burnishing with the copic markers so I have tried both ways. So my last two belts I dyed the edges black using the marker then ran an old white t shirt over the edges and got any excess dry dye off.

    I then used Fiebings glycerine soap to slick the edges then hand burnished with duck cloth and fiebings white saddle soap.

    I then coated the edges with paraffin wax and used my grinder style buffer to shine the edges. The buffer gets the belt hot enough to give the wax a good shine. I would stop there if I could but black will still come off on a soft cloth.

    So I had a can of Clearlac, neatlac, whatever the stuff is called and I filled one of my copic markers with it, perfect even coats, great. Well I did a couple of coats and let it dry, got a white T shirt ran it across and I got black marks!

    I just tried two more belts and I am going to let them dry overnight this time, well at least until later in the morning. One got 3 light layers with a copic marker, the other got a few layers with an artists brush. Maybe giving an overnight dry time will give me the protection I am looking for. I am probably the only loon who got out of bed at 1 am to go test some new methods to get my edges right. They look really nice, I just can't have black dye coming off if I ever hope to start selling. These are for Christmas gifts, and I have a few people who want to buy but I have to get the edges beyond pretty , they need to be pretty and durable.

    I don't really want to coat the entire belts in Clearlac, I really like the look I am getting with a light coat of neatsfoot oil then a coating of Renaissance wax, I put my finishes on before I sew or edge the belt, the stitching gets beat up and gunked up if I finish after stitching and edging.

    Thanks for any insight you may have.

    Those belts I let dry overnight did not work, still got black marks on my white cloth!!!

    I really need to stop the black from coming off.


  3. The Snapmaster sets (means you can buy dies for) a lot of different closure systems. In sail and canvas work, this is handy, but if you only do snaps, it is just more expensive. I have two press-n-snaps, one fitted for posts and one for caps, they still cost less than one Snapmaster, I know, I have one Snapmaster too for lift-the-dots and common-sense fittings we used a lot on sailboats.

    Whatever you use, if you work on boats, tie a line to the tool and yourself, so when it goes overboard you can haul it out. They are darned near impossible to find on the bottom.

    Sailrite has about the highest price I have seen, whoops, --Edited-- their prices are better than they used to be, actually reasonable now at $118.

    Pretty good price here.

    Art

    Would this be good for setting snaps on holster loops? Will this work better than one of the bench mounted setups?


  4. Can you post some pics of the top side and back side of your stitches? I'm curious as to what to expect. I have an artisan toro 3000 and the backside is not as nice as the too side either. The stitches look more pulled in to the leather. They're very regular but not pretty. I figure it's just cause of the way the needle cuts through the leather but I'm just curious what you're getting.

    Andrew

    How did you know I was up at 1:30 in the morning PMing hidepounder about issues getting black rubbing off my edges!

    My wife is working on a photo setup to take some product photos tomorrow so I will throw one up if she gets the pictures looking good. From talking to Bob at Toledo it is normal for the bottom thread to pull into the leather and it is what I should expect. The longer stitches won't pull into the leather so far but since I am using 6 and 8 stitches per inch for my belts to get a nice tight front stitch the back stitch is going to pull into the leather. It is mostly uniform, has a little "pucker" look to it. I smooth the back out with a rounded polished piece of wood and call it a day now, the fronts look amazing. Basically you need to upgrade to a needle and awl machine to get pretty stitches on both sides. The back stitches will start to look better if I move out to 3-4 stitches per inch, but that is not the look I am going for.

    Mainly, I just wanted to make sure I wasn't doing something wrong.


  5. Well, I played with settings since my last post. Mainly bottom thread tension and presser foot pressure. I read to loosen the presser foot pressure until the leather begins to lift while stitching, so I went up and up, really it was 10 turns and pop out comes the assembly, so I put that back to how bob set it. I then played with the bottom bobbin pressure. I loosened it a 1/2 turn at a time until I got a tangled mess. I then proceeded to turn it a 1/2 turn at a time back until I got back to where Bob set it....

    So my machine is back like Bob set it up, sews a perfect top stitch every time, but the bottom stitch doesn't look so nice.

    I am using 277 on top and bottom. Does using 207 on bottom give a better looking back stitch or do people do that to get more thread on the bobbin?

    Is there anywhere I can see the back stitch of juki 441 clones, I have not been able to find a picture of the back side of a Cobra, Cowboy, Artisan, Ferdco stitch anywhere.


  6. I ordered a pack of LR needles, I have "D" "S" and 7X3 sharp points. I was thinking it might have something to do with the bobbin tension, but I don't want to mess with any settings without suggestions. It basically pulls the stitch completely into the leather creating a like a cut in the leather. Tip stitch looks perfect, like straight little soldiers (Or ugly)

    I tried the 7X3 sharp points, but I had all kinds of problems with them.

    Nick


  7. I am very happy with the look of the top stitch of my Cowboy 4500, I have gotten very good results with tips I have read on the board and from PM's conversations with more experienced members. I was not happy with how the back of my stitching looked on my belts so I remembered there was this huge thick 3 pieces of leather sewn with the machine included with my machine, I looked at the back of the stitch, while it didn't look as good as the front it looked much better than the back of my stitches. I am using 6 and 8 stitches per inch with a diamond needle. Any suggestions or settings would be greatly appreciated.


  8. I do 6 spi on the belts, same as I did when I hand-stitched everything.

    For the keepers I do 8 spi.

    misc147-1.jpg

    My stitch looks just like the one on your keepers, and everyone loves it. I just don't want to weaken the leather and have problems in the future.

    I do plan to try a rig like Katsass posted and something with 12 gauge shotgun shells loops to draw attention that I would probably extend the stitch to 6 per.


  9. My favorite leather cutting tool is a pair of Gingher Knife Edged scissors, well besides my strap cutter and plough guage.

    You know how you can hold the scissors slightly open when cutting wrapping paper and run it across the whole width of the roll, gingher knife edged scissors will do that to 8 oz leather. I am trying to love my round knife, but ugh I can't.

    What kind of work would you like to get into?


  10. Have you used the regular dye on molded holsters? Just wondering what wetting it will do.

    No, she wants an LSU belt so I ordered a bottle of purple dye. I haven't used anything on molded holsters other than oil and the sun, or just used drummed dyed black leather. I have enough trouble with die to try to get an even coat on something molded. My plan in the future however is going to be to dip dye the piece a lighter color than I want it to turn out, then airbrush the color I want over the top. Good thing everyone wants black these days, Drum Dyed Hermann Oak black saves a ton of time.


  11. I am wondering if this is spirit based dye because the label said to rinse the applicator with water to store it.

    Doesn't really matter at this point. No matter what dye it is, you want to get the excess off (buffing until the color doesn't come off) and seal it with an acrylic or wax product (The resolene, wax based product (Kiwi neutral, johnson Paste.)

    I suggested the Kiwi even though its not what I use because you didn't seem to be a leather worker or aspiring leather worker and its a readily available product that will work for you application.


  12. Bianchi shows how to sew loops in his DVD's. They cost about $50. I haven't coughed up the money for them yet, but they are on my to buy list.

    Cas City has some pictures of the different stages of bullet loops also, I don't know if there is a full blown tutorial, but you can get the process from looking at the different pictures.


  13. I want to build an inventory to bring to a local gun show but I have 0 sales history. I have traded a couple of belts,and made some for friends and family, but I have nothing to go on what to make for a show.. I have made some great looking gun belts lately, but right now I would rather my customer see and feel the belts so I can get some more feedback before I start taking orders.


  14. Nearly all of the belts that I make are ordered as part of a matching set including holster, magazine pouch/cartridge case, etc. As Electrothon has pointed out, the stitching groove is intended to set the stitching below the surface of the leather to avoid excessive wear to the thread, and this can be important for holsters and pouches. Since I am making matching sets, I make the belts in the same manner as the other items, same stitching groove, same distance from edges, etc.

    My Cobra Class 4 machine pulls a very tight stitch. Stitching with, or without, the cut stitching groove is nearly identical in appearance. Some machines will not set the stitching with as much tension, so different results may be expected.

    I've known other craftsmen who did not use stitching groovers, prefering to use a creasing tool at the edges. This is done while the leather is damp, so the overall effect is rather similar in appearance to the cut stitching groove.

    Stitching machines can be equipped with a material guide to maintain an even spacing from the edges to the stitch-line. As Katsass has pointed out, hand-stitching requires a positive guide, so the stitching groove is advisable.

    There was very little difference in a perfect stitch in a groove and just stitching without a groove, I am able to get a much more consistent look without the groove. Only problem I have with the groove is if the stitch is just slightly to the left or right, and I am talking fractions of a millimeter, and the belt looks homemade, not hand made....


  15. Well, I sewed a belt tonight, after LSU whooped Georgia, without a groove and it was my best looking belt to date, I think I am going to go without grooves. My next two tests are getting a straight line with my edge dye and figuring out my final finish. I tested mop and glo on my last belt, I must have put too much on because it developed slight cracks. I have a can of Clearlac, Neatlac or whatever its called, just haven't tested it yet.


  16. I still can't sharpen these dang round knifes! I am thinking about investing in a wicked edge just for the task. I have been using knife edged Gingher's lately and I really like using them on leather, oh and they are easy to sharpen! It also helps that I have 3 pair to borrow from the misses in the house, she told me to never cut paper with them, never said nuttin about leather.


  17. The Juki clones go through leather like butter, Wiz helped me with my machine selection and helped with some sewing tips. I ended up with a Cowboy 4500 and it just runs through leather effortlessly. I would hate to try to learn to sew leather with a machine not really up to the task.

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