Members LeatherCaptain Posted January 17, 2010 Author Members Report Posted January 17, 2010 Hey there, I just wanted to edit the process that I've been following in the hopes that it helps someone out. After using several of my holsters and getting feedback from of my customers, I've found that I needed to get a better depth in the dying of the edges. So, I've adjusted my process just slightly. All of the typical steps still apply but I've changed when I dye the edges and I now use predyed leather...cut, sew, wet mold, dry, sand edges, bevel edges, dye edges, saddle soap and canvas, finish, wax edge with beeswax/paraffin mix and cotton cloth. I think that applying saddle soap after you dye the edges really helps to lock in the dye. I also wanted to comment that I take a chunk of saddle soap and grind away on the edges. Basically, you'll end up putting a grove in the bar of soap which helps in forming a nice rounded edge. Also, I'm not shy about using the saddle soap. Prettty much as soon as I apply the dye to the edge, I start working em over with the saddle soap. It seems like the more I apply, the smoother and more uniform the edges look. Anyway, hope this helps. Quote
Members thecapgunkid Posted December 11, 2010 Members Report Posted December 11, 2010 Somebody oughta send Hidepounder to Congress to straighten out the economy...If he can do 10% of the effectiveness and quality on the economy that he does on edgework he just might save the whole country. You got a lot of great advice on this topic and almost all of it will work as written. The one thing I question is who taught you to put your work in an oven? You might wanna share that with these guys and get some alternative ideas. Intense heat is pretty hurtful to leather, and, although you might not see it immediately, some of your seams or rivet joints might give out a little faster down the road when a customer gripes and you are not there to defend yourself. Slap my face and call me liberal, but I have always let my leather air dry, even after shaping. Hope this helps, and Don't shoot yore eye out, kid The Capgun Kid SASS#31398 Quote
Ambassador pete Posted December 11, 2010 Ambassador Report Posted December 11, 2010 Has ANYONE tried my method of treating the edge with just Feibing's antique(paste)? I sand, edge, and apply the paste, then rub with just a canvas. The paste soaks in, lubricates as I rub, and dries in seconds to a really nice finish. I quit using dye (NEVER liked edge-coat) ANYONE??? pete Quote
Members BondoBobCustomSaddles Posted December 11, 2010 Members Report Posted December 11, 2010 For my money, if your are going to ask an expert how he does it, and you are fortunate to get a serious answer, listen carefully. I have seen Bob Parks work and believe me it is top of the line. Long ago I followed his description of how he did it and I have never been sorry. Quote
Members smoke10 Posted March 11, 2011 Members Report Posted March 11, 2011 tt My process is a little different than the others posted here. First off, I agree with everybody else, you should do your burnishing after the holster is molded. Once it's molded and dry, this is what I would do: 01.) SAND EDGES - I use a mounted belt sander with a 150 or 220 grit belt and always move against the direction of the sander. All I'm trying to do hear is to insure that all the leather layers are even and all the reisdual glue and finish has been removed. 02.) EDGING - I use an edger to remove the corners of the edge. 03.) WET & SOAP - Wet the edge using a sponge and then rub glycerine bar saop well into the edge. 04.) BURNISH - I burnish with heavy canvas satuarated with Fiebings yellow soap. The canvas is wrapped around a wood burnishing wheel (I use the Weaver set-up) 05.) DYE - At this point I dye the edge with Fiebings alcohol dye. I use this because it is absorbed into the leather...it's not just bonded to the outside like an edge paint is. I also dye at this stage because I can get a nice neat, clean line because the leather is smooth and the fibers are all tight and bonded together. If you dye the edge before you burnish, you cannot get a nice clean dye line! 06.) HAND BURNISH - I use a clean cloth (old t-shirts are great) to rub the edge to remove any residual dye and to determine if a second coat is necessary. If not, I use a hand burnisher to rub any imperfections out of the edges and create an even smoother finish. 07.) POLISH - At this point I use a soft drum wrapped with cordura nylon (Mounted on the other side of my Weaver burnisher) and gererously impregnated with parafin, and burnish again. Once I'm satisfied with the finish, I polish to a high luster with a dry cloth. 08.) FINISH - apply the final finish. Here are some examples of the my finished edges on a belt I completed this weekend, and a photo of the edge on a pad folio I posted earlier this year. Here is my burnishing set-up: This has worked pretty well for me, however, I'm always adjusting as I learn new tricks and techiques. Hope this helps, Bob Hi Bob I was wondering if you could tell me what you have on the right side of your Weaver burnisher.( looking at the pic. you posted) I can see that you have the saddle soap on the canvas on the left side, but can't make out the right side. Thanks Quote
Members The Grizzly Posted March 15, 2011 Members Report Posted March 15, 2011 (edited) On my next piece I think I'm going to try the saddle soap method described here. Question: at the local Walmart they have Kiwi Saddle Soap...wonder if this will work so I don't have to place a special order for some? Also, with the way I currently burnish, I sometimes get little fibers that like to stick up from the nicely polished surface, is there a way to keep this from happening? Here's how Ive been doing it on my last sheaths: Sand to shape on my belt sander. Then finish it with 220 and then 400 grit by hand. Run the beveler on the edges. Redye the edges to bring the color back. When dry, moisten with water and use a stainless steel rod to bring up the shine and burnish. Once a nice glassy shine is achieved, I put on a couple coats of Gum Trag and let it soak in and dry, then reburnish with the SS rod. For a final swipe, I like to rub it with a piece of dry denim. This is where the small fibers like to jump up in random places. Should I be doing something a bit different? Also, I use a beeswax/paraffin/neats-foot mix to treat my sheaths. I'm having a hard time getting that glassy gloss back after the wax mixture is put on the sheath. Before treating, I can get it nearly reflective...afterwards its more of a semi-gloss/satiny shine. Thanks for any help! Edited March 15, 2011 by The Grizzly Quote Craig Collier ~Grizzly Custom Knives~
Members THein Posted March 16, 2011 Members Report Posted March 16, 2011 I've read through this post and others about using a mixture of beeswax and parrafin to burnish edges. I finally got a motor, shaft, and mandrel put together. This morning, I prepared to melt/ mix waxes. I figured a 50/50 mix was probably by weight so I started down that road. That's when I found out that the same weights of each wax appeared to be different amounts of mass. I've read in other posts where using one or the other can result in less desireable results. Hence, my question: Is the 50/50 mix by weight or volume? Beeswax weighs 60 lb/ square foot and parrafin weighs 45. I'm no rocket scientist, I'm just tired of tossing work in the trash because it turned out bad. Terry Quote www.singletreeleather.com
Members Mongo Posted May 11, 2011 Members Report Posted May 11, 2011 Terry, I just mixed blocks of what appeared to be equal amounts of parrafin and bees' wax. I just eyeballed it. I only made about a one pound block of it. As my last step in finishing a holster or gun belt, I rub a small amount of this mixture on the welt and the edges and then I do a final burnish with a clean piece of canvas by hand. What really helps my edges is using a good bissonette edger and then I will work down to 600 grit sand paper. My next step is the burnisher with damp edges and glycerin soap. The glycerin soap the Hydepounder mentioned really helps with dampened edges and my wool felt burnishing wheel (kept at low speed). I prefer a sanding drum to a belt sander for my welts. Quote
Members Vikefan Posted July 11, 2011 Members Report Posted July 11, 2011 My process is a little different than the others posted here. First off, I agree with everybody else, you should do your burnishing after the holster is molded. Once it's molded and dry, this is what I would do: 01.) SAND EDGES - I use a mounted belt sander with a 150 or 220 grit belt and always move against the direction of the sander. All I'm trying to do hear is to insure that all the leather layers are even and all the reisdual glue and finish has been removed. 02.) EDGING - I use an edger to remove the corners of the edge. 03.) WET & SOAP - Wet the edge using a sponge and then rub glycerine bar saop well into the edge. 04.) BURNISH - I burnish with heavy canvas satuarated with Fiebings yellow soap. The canvas is wrapped around a wood burnishing wheel (I use the Weaver set-up) 05.) DYE - At this point I dye the edge with Fiebings alcohol dye. I use this because it is absorbed into the leather...it's not just bonded to the outside like an edge paint is. I also dye at this stage because I can get a nice neat, clean line because the leather is smooth and the fibers are all tight and bonded together. If you dye the edge before you burnish, you cannot get a nice clean dye line! 06.) HAND BURNISH - I use a clean cloth (old t-shirts are great) to rub the edge to remove any residual dye and to determine if a second coat is necessary. If not, I use a hand burnisher to rub any imperfections out of the edges and create an even smoother finish. 07.) POLISH - At this point I use a soft drum wrapped with cordura nylon (Mounted on the other side of my Weaver burnisher) and gererously impregnated with parafin, and burnish again. Once I'm satisfied with the finish, I polish to a high luster with a dry cloth. 08.) FINISH - apply the final finish. Here are some examples of the my finished edges on a belt I completed this weekend, and a photo of the edge on a pad folio I posted earlier this year. Here is my burnishing set-up: This has worked pretty well for me, however, I'm always adjusting as I learn new tricks and techiques. Hope this helps, Bob Wholly smokes! How did you get that all attached and operational? And what RPM is your sander/burnisher? My dad got me a motor and this is what I've been using...does great on the sanding side of things, but I've not been too happy with the burnishing side of things. Here's a pic of my set-up. Straight from John Biachi's Video. Vikefan Quote
hidepounder Posted July 11, 2011 Report Posted July 11, 2011 Wholly smokes! How did you get that all attached and operational? And what RPM is your sander/burnisher? My dad got me a motor and this is what I've been using...does great on the sanding side of things, but I've not been too happy with the burnishing side of things. Here's a pic of my set-up. Straight from John Biachi's Video. Vikefan This is a burnishing machine that is sold by Weaver Leather and I wrapped the burnishing wheel with canvas. I would guess it's running at 1750 rpms. Quote
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