TomE

The bar was low. The old strap was considerably lighter color than the chapes, and it was dry rotted. I'm thinking it wasn't original equipment. The client bought the purse used as a Christmas present. He was happy with the color. Thank you, Jonas. I did sew by hand to complete both ends of the stitch lines. I will look into the Serabraid.

Thank you, gents! I will admit that this was the third try matching the color. I am woefully deficient in dyeing techniques bc I mostly use drum dyed leather. Ended up dip dyeing in 10% Fiebings dark brown Pro Dye.

Happy with Amann Serafil thread from @CowboyBob at Toledo Industrial Sewing Machine. It feeds well through my Cobra Class 26 and is a good color match (color #7766) for this vintage Louis Vuitton purse. Lots of colors to choose from besides my usual brown and black thread for horse tack. Made a new shoulder strap for this old purse and considering making other items in a brown/yellow color scheme.

Beiler's Manufacturing and Supply in Ronks PA has quality brass and stainless buckles, snaps, rings, fasteners, etc. with good prices and service. Quantity discounts when ordering 100 or more pieces. They are geared towards the harness and tack trade. Amish company with no website. Call for a catalog.

Hard to know what's wrong with the foot lifting mechanism without taking it apart. LMC is generally very helpful with advising, sending parts, etc. In my limited experience skiver feet typically need polishing for best results. I have a Techsew SK4 and some additional FAV feet that I polished on a buffing wheel.

Reasons to sand edges include leveling multiple layers, removing excess glue before finishing the edge, and smoothing the fibers as part of the burnishing process. What are you trying to achieve? I routinely sand to level an edge or remove glue, and I avoid it when burnishing. If my regular burnishing methods don't produce a smooth enough edge then I'll sand and do more burnishing. Depends on the tannage, moisture content, the part of the hide I'm working with, thickness, etc.

Turned out nice. I like how you laced the brow band on the crown.

That's a beauty! What caught my eye immediately is the way the vine is woven around the flowers to create a criss-cross appearance, and how you decreased the size of the letters to complement the shape of the point. Lots of neat details. Thanks for sharing.

For tack repairs I match colors by trial and error, testing dye mixtures on a scrap of the same leather I'm using for the repair. I am usually adding a small amount of Fiebings brown dye to their English bridle (yellow-tan) or mahogany (red-brown) dye as a base. The Fiebings brown dyes I've used are, from lightest to darkest, are light/medium/dark brown, show brown, chocolate, and dark chocolate. To my eye, the show brown has a bit more reddish hue than the others. To simplify, I'd get show brown (dark red-brown) and chocolate (dark brown with a black tone) and dilute them in a tan or mahogany base. Based on the picture of your saddle I'd guess that a pinch of show brown in mahogany dye would be an acceptable match. My go-to dye for dark brown Asian tack is 7% show brown in mahogany dye. Your saddle is not that dark. As others have said, oiling and sunlight will also darken the leather to improve the match.

I'm no expert but I would sharpen the knife, working slowly/gradually to avoid overheating. Use a marker on the bevel to see that the stone is creating a uniform bevel. I would also polish the foot to reduce drag - use a buffing wheel if you have access to one. Check that the drive roller is round and without gouges/flat spots by shining a bright light to visualize the gap between the roller and the knife.

A gum eraser or "plastic" eraser does a pretty good job of removing excess contact cement. I apply cement sparingly, let dry for 5-10 min then warm it with a heat gun to "activate" the adhesive before assembly. Heating produces a strong bond with less cement.

Here's the bitless bridle/halter that I mentioned. As noted in the thread below the rolled leather noseband was swapped out for a soft polyester rope noseband, matching the original. The client's trainer felt that the leather noseband didn't release properly. wa

The knot on the Weaver bitless bridle looks like a double overhand knot. This video shows how it is tied. I learned to tie rope halters from this author's 3 part Youtube video. She also has useful videos on eye splices and butt splices for lead ropes. I don't have much experience with bitless bridles but I made one for a client, patterned after the Monty Roberts "Dually" training bridle. She wanted a leather version of his nylon halter for every day use with her older dressage horse. I'll look for pictures of it after chores today.

I have a similar challenge sewing next to raised leather features on horse tack. I've used the inline presser feet from Toledo Industrial machine and the narrow presser feet from Hennigan Engineering and Precision. Both foot sets can do a good job. The inline feet require backing out of square corners, in order to give the rear foot a place to land. The narrow presser foot set is a bit wider but easier to maneuver. Another strategy is to leave a wider margin around your raised piece, use a conventional foot set then trim the edge after sewing. I don't like doing this for long stitch lines, like sewing reins with a raised feature in the middle of the length, because it's a lot of trimming and waste. Think it would work fine for smaller items. Here's a video of the inline presser feet. https://www.facebook.com/share/v/18w1DUTZzc/ Here's a video of the narrow presser feet. https://www.facebook.com/share/v/1787akb5As/