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Posted

I see that leather workers use special wood, leather, or plastic hammers. Fine. But WHY? I'm not doing any stamping yet, just punching holes. Bought a leather working hickory hammer, thinking to do the "right" thing. Basically useless. Tried rubber mallet, plastic faced hammer, and dead blow hammer. All just plain useless. Doing great with a simple brass hammer. So I'm not like thinking I'm some sort of Junior Genius, but rather raises the question, what am I missing? Why use such soft hammers? There's gotta be a reason. Because other wise it seems like it's just making life harder.

  • Contributing Member
Posted

You would NOT want a "soft" hammer.  Don't want to hit steel tools with a steel hammer - not good for the steel or particularly any plating on them.

Jillion years ago, somebody "invented" the rawhide mallet, which works really really well.  Been done for a long time. But I actually like your idea for a brass hammer ... should be just fine!  I already have rawhide mallets that I'm used to , so I stick with that.  But I've used brass hammers on a lot of things with good results - enough force delivered to do the job without damage to the stamp/punch/etc.  If you're comfortable with the weight and the way it swings, carry on!

 

JLS  "Observation is 9/10 of the law."

IF what you do is something that ANYBODY can do, then don't be surprised when ANYBODY does.

5 leather patterns

  • Members
Posted (edited)

"Useless"???  Odd that thousands use those useless 'hammer's, in their Leather craft each and every day:rolleyes2:

I use a plastic headed mallet that I bought when I first got started and it works great and hasn't damaged a tool yet?

I bought an 'Oak' mallet and decided to glue a very thick piece of leather on it and it works okay.

Some use a 'rounded head' mallet, which I don't understand.

I own a Computer, ISP and IT business, within a building that I share with a Dental office, so I do my best to keep the sounds of my Leather  tooling to a minimum: Under my typical 12' by 12" Marble slab, I have a 2 inch thick piece of heavy styro foam and on top of the marble, I use a 3/8 inch black rubber mat and this attenuates a lot of the pounding noise. A Brass or ball peen hammer would be terribly noisy.:(

Make sure your 'Leather' is sufficiently WET as that allows effortless tooling, compared to DRY tooling, which is almost impossible.

Sam:) 

Edited by ComputerDoctor
  • Members
Posted

My basic leathercraft kit came with a wooden mallet. It was the ONLY thing it the kit that was pretty much worthless. It was just not heavy enough to make a good stamping impression. I soon replaced it with a medium weight polyethylene mallet and have used that ever since.

Posted

I used an original wooden mallet made by my grandfather for many years.  The one thing I didn't like about it was it would drop wood fibres every now and then which would get embedded in my beveling if I wasn't careful. It also gets quite a dish in the face over a period of years.  So I kept one side flat to tap down lacing or stitching and the other side for tooling.  I still have that mallet.  I bought a bunch of tools from a pawn shop some years ago.  It had a poly mallet and a rawhide mallet.  After trying them out, I decided the rawhide mallet was the best of the three.

For heavy punching or large stamps like the 3d stamps or makers mark, I use a deadblow hammer.  It doesn't leave a double image that you get when a regular mallet bounces.

Tom

  • Members
Posted

Well, by "useless" I meant that it just wasn't delivering enough force to actually drive any sort of hole punch or anything through a 10 oz veg tan. (And yes I repeatedly check for sharpness.) And knowing that such have been in use since rocks were soft, yes I was rather befuddled. But then again, said hammer, being wood, it had an extremely light head weight.

I do understand the idea of different hammers for different jobs. One whole drawer of my tool box at work is devoted to nothing but different hammers, from tiny little guys up to a short handled 8# sledge.

I wonder though, I use chisels, punches, drivers etc etc almost daily at work. Most used with a steel hammer. Are these leather tools made from a softer or perhaps more brittle grade steel than what a mechanic's punch or chisel might be made of? Would that be part of why these specialty leather working hammers are made of softer lighter materials? 

 

Posted

I picked up a Lignum Vitae mallet at a hardware store years ago, it is well balanced and easy in the hand, hard enough not to damage or be damaged, and as it had been priced but unsold for 25 years, he sold it at the sticker price;) so about 75 % less than I would have paid.

Happy me.

No longer following it.

 

Posted
1 hour ago, Bender said:

I wonder though, I use chisels, punches, drivers etc etc almost daily at work. Most used with a steel hammer. Are these leather tools made from a softer or perhaps more brittle grade steel than what a mechanic's punch or chisel might be made of? Would that be part of why these specialty leather working hammers are made of softer lighter materials? 

As you are no doubt well aware. striking a steel tool with a steel hammer is going to mushroom the end of the tool over time.  It will also knock any plating loose.  Do you want to have to dress the ends of your tools every so often?  Wouldn't you much prefer the ends of the tools to maintain their appearance? 

With regards to stamps, another factor you may not be aware of is when little flakes of steel or what ever plating (that likely contains some iron) drops onto the surface of damp leather, you will get a reaction between the tannins in veg tanned leather and the iron, causing blue/black spots to show up on the leather. 

When you are using a cold chisel to shear off a rivet or bolt, you have to use a heavy steel hammer to provide the force and impact to do the job.  You expect to dress the head and cutting edges from time to time as part of your normal tool maintenance and to replace them as they become useless.  We are not dealing with the same issues with leather!  Should only need to touch up the cutting edges every so often.  You really can't compare these disparate applications.

Tom

  • Members
Posted

I'll have to try the deadblow hammer Northmount. When I'm was stamping with the wrong hammer I used to get a "double tap." The hammer would drive the stamp down, the stamp would push to it's limit and then the stamp would bounce up, shift ever so slightly just as the hammer fell back down. The double image of the stamp is no fun halfway through a project. Happened to me with thick leather on a rubber mat. Sometimes I just line up the stamp and push down with slow even force by hand, depends on the size of the piece and how many times I have to repeat a pattern. Otherwise I keep 2-3 different hammers and mallets lying around.

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