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Posted

Hi! I am fairly new to the forum and leatherwork in general. I did the genius thing of buying a basketweave set as my first stamping tools thinking it would be easiest to learn. Yes, I now know better. lol Good news is that I have been practicing quite a bit which is in turn giving me lots of casing practice as well. My problem seems to be that I am sometimes getting what I would call a shadow mark. I assuming that I am somehow allowing the stamp to bounce while striking, so it creates a very faint impression near the impression I purposely made. I have been concentrating and trying to catch what exactly it is that I am doing when this happen and am having no luck in catching myself in the act. Does anyone have tips on how to get away from doing this? My fear is that I will end up doing it on a real piece that I am making and have to scrap a project.

Posted

I am no stamper bit here are a few things. Have a solid striking surface. Granite, quartz and the like. You may want to switch to a heavier mallet. 

Good luck.

I'm not paying 80 bucks for a belt!!! It's a strip of leather. How hard could it be? 4 years and 3 grand later.... I have a belt I can finally live with.

Stitching is like gravy, it's only great if you make it every day.

From Texas but in Bossier City, Louisiana.

  • Members
Posted

Thanks for your reply!

I do have a solid surface, but I am not sure if my mallet would be considered heavy or not. Its a large head size poly mallet from Tandy. Not sure what the weight is on it.

  • Contributing Member
Posted

The 'shadow' or 'ghost' is caused by the tool bouncing. Its all in how you hold the tool. Grip it fairly tight and hold it tight against the leather, pushing it down slightly. A loose grip or not holding it really tight against the leather allows it to bounce, and your reaction is to then increase your grip and push it against the leather, making the ghost

Al speling misteaks aer all mi own werk..

  • Members
Posted

Thanks Matt! I will raid hubby's toolbox and see if there is anything I can borrow for a maul to see if that helps.

Thank you Fred! I will place more focus on my grip the next time and see if that is my culprit.

  • Contributing Member
Posted (edited)

11 ounce garland rawhide mallet

 

Edited by JLSleather

JLS  "Observation is 9/10 of the law."

IF what you do is something that ANYBODY can do, then don't be surprised when ANYBODY does.

5 leather patterns

  • Members
Posted

I just had this problem on a belt I was tooling and, boy, did it tick me off. I'm a newbie but this is what I observed:

  • I had the worse problem when I hit the hardest. When I backed off and didn't hit quite so hard, I didn't have a problem. As someone said above, I started doing two taps instead of one and that seemed to work.
  • The tool in question is a Tandy veiner. I just got a couple Barry King stamps for my birthday and I notice the checkering is far more distinct than the Tandy's; e.g. the tool I was using is slipperier and harder to hold when I was hitting hard.
  • This time I wet the surface and didn't fully case the leather. I wonder if the inside of the leather being harder also contributed to the bounce back.

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