Johanna

It's www.iilg.org (International Internet Leathercrafters' Guild) and they are the co-hosts for this year's IFoLG (International Federation of Leather Guilds) show. However, their main discussions are on (shudder) Yahoogroups. You can also find out more about the show at www.pittpounders.org who are the Pittsburgh co-hosts of the show. You don't have to be a member of a guild to attend, only to enter your work into the competition. If you go to the show you will be amazed and awed at the diversity of the craft, and the fellowship of the regulars. There are plenty of vendors, displays, and "shop talk" every year. If you want to get into a teaching workshop, better hurry up and register, though- the classes fill up fast and deadlines are approaching. Glad you found us, hope you enjoy the forum. Johanna

Dan, I love your work! You should be proud of that eagle- and I like the depth you got with the oak leaf border. Here's the same eagle done by Billy 2-shews (Bill Stockil) of South Africa. Thanks for sharing! Johanna

There is a man in our area who does chainsaw carving at fairs and festivals, and I cannot remember his name for the life of me, but he always draws a crowd of spectators. I am amazed at how he knows what NOT to cut away. Just like in music, where the notes you don't play matter just as much as the ones you do, carving leather or wood is the same way. You already understand texture and depth, so switching mediums is just a matter of mechanics, not aesthetics. During my years as a Tandy manager, I noticed that people who had already worked with clay or wood or other three dimensional media easily picked up leatherwork, compared to "painters". One difference you will note is that wet leather can be formed (molded) and I've yet to see anyone do that with a log. As you experiment, you will figure out what works best for you, and you will develop your own style. For carving basics, you can't go wrong with an Al Stohlman book. His book "Leathercraft Tools" details care and use of all the regular tools of the art. What geographical area are you from? There may be a leather guild near you, and that would be a great opportunity to learn a little more and make some new friends. If you are anywhere near Pittsburgh, Pa, there is a show coming up in October that will knock your socks off, if you can attend. I know this is a leather forum, but I would bet everyone here would love to see pics of your chainsaw carving, if you're willing to share. Welcome to the forum- glad you are here! Johanna

We have more online storage than we will ever need, and are not using even 10% of our bandwidth. Plus, if we ever grow to be HUGE, we can bump up all the limits. No one needs to post pics from remote hosts- just upload the attachments from your own computer. Thank you for sharing your work with us, Freak, and Dan is right about leather-mania! You are now hooked on one of the oldest crafts of man- leatherwork! Johanna

Bruce Grant's books are not out out of print, and they cover a lot more than lacing- There are so many kinds of lacing- from decorative to stitching. Tandy sells a book with pretty basic instructions. Hey, Braider from up north! Post in and show us some examples! Johanna

I always cut it with a knife into a triangular shape and screw it in. I've never had a problem with 'roo- in fact I like it almost as well as goat. It seems the cowhide lacing has more fibers that grip, so you need a longer ---->>>> point on the lace for a lifeeye with smooth leather lacing like roo or goat. Speaking of lifeyes, my favorite lacing needle, sharpen them and your lacing will go much quicker. I will strop mine every now and then, because they do pick up anything gummy like cement or glue while working. Johanna

Welcome, Shane, and glad you introduced yourself. Never be embarrassed to post your pics with this crowd. They will give you honest advice, and be as pleased as you as you see your work improving. There is an adult area of this site, and one of the members has posted pics of her bike seats there (she claims to only have worked with leather for a year, but we are suspicious! LOL) Let me know if you want to be able to see that part of the forum. Some of the best leatherworkers in the world belong to this board, and if there are any that are selfish with their "secrets", I don't know them. Johanna

Bob who? I like your work, Dan! Your memo book reminds me of my wallet. My late first husband did the carving, but I designed the interior. It has loads of pockets and secret pockets, and I fixed it so that I never have to lift it out of my purse to get to the contents. Now, understand this thing is about 12 years old, I can't remember the last time I put any grease on it, but I'm sure it's been a few years, and it lives in the hell known as "Mom's Purse". It has a super secret pocket that no one would ever find (I really should leave a note for my husband in case I drop dead, too, because I keep my "mad money" in there!) I know it's heavy compared to some wallets, but it still suits me, and I don't lose things. It might take me a minute to find stuff, but I haven't ever had to pull it out of my purse in public. Johanna

Footwear of the Middle Ages by I. Marc Carlson The link above has some valuable info and suggestions for anyone interested in making period footwear. Johanna

On page 36 on the Sept. 2006 Playboy in the "Mantrack" section there is a picture of a leather backgammon set that sells for $3500.00 and conveniently fits in your Ferrari. Here is the backgammon set. Okay, this Schedoni leather must be something, right? Automotive Accessories: The Soft Side of SophisticationRobert Farago Now, I'm curious. It appears that www.schedoni.com is a valid website, but all I see is a black screen. Not sure what is up with that, but I did see pictures of their trunk specific luggage, and yes it looks very nice, but it should, for the price. This once again demonstrates that anyone can become successful at leatherwork if they are aware of who their target market audience is and exploit it. The luggage. Even better, this leather will MATCH in a Mercedes! You can get a six piece set CHEAPER than the backgammon board to fit in your glove compartment! from Cigar Aficionado who go on to say that English leather is actually better, and why. Schedoni makes a lot of money from those French cows!Johanna You can also buy this leather plaque for $100 from Schedoni, though I'm not really sure why anyone would want to. They made a special plate for that, didn't they? off the :soapbox:

ShopTalk ought to get you pointed in the right direction. Click on the sewing machine manuals and parts link. Here's another invaluable resource to bookmark: The New Big Book from Proleptic. Hope this helps, Johanna

Dale covers how to design a pattern, how to prepare the leather for carving, the tools used for carving, coloring, construction and sewing, with step by step illustrations. This is a must-read for youth leaders with leather projects to do. Dale explains what to do and why. Dale Hietala of Moonlight Art Studio's Tutorial Johanna (Thanks, Dale!)

It sounds like Jeff Mosby is using the same steps I described above. The shading you are seeing is partly a result of the tooling. Jeff carves deep into the leather, and can burnish the surface with his pearshaders, for that extra dark effect. Pictures don't do his work justice. The texture of his work leaves you thinking "That man uses good leather, and is not afraid to pound it!" When the work isn't carved as deeply, the subtle effects of the shading don't show up the same. Just like when casing the leather with water, how the surface will take dye or stain depends on how absorbent it is, and that changes as the leather is cut, pressed, flattened, etc. The great thing about Antique as a final step is that you can take a bucket with a wet rag and just play with it- wipe it on, wash it off, let it dry, do it again, until you achieve the look you want. Johanna ps Putting the shene on before the antique might be having an effect on how the antique is being absorbed.

Candyleather Little Jon made me a purse for when I was on the back of motorcycles with an extra long braided strap like you used on the hand strap handles of the first pictured bag. He used thicker leather, carefully edged it, braided it close, formed it, burnished it and I love that braid. It never pulls my long hair, and it does not catch on things. That bag is stunning, but I would have a hard time with that twist style of braid for the shoulder strap because of my hair. For any bag as big as my laptop, I want a shoulder pad, too. Are you in business yet, and do you have a website? You have quite a variety of good looking stuff, so I hope you're selling plenty. If you have a portfolio site, I know I would want to look at everything. Got a link to share? Johanna

If you decide to visit the Pittsburgh Tandy Leather Store during the IFoLG show... Picture the Pittsburgh area as a clock, with downtown Pgh. being where the hands meet in the middle (center). The airport is at nine, the show is at twelve and the Tandy is at three o'clock. The distance between the airport and the Tandy as the crow flies is maybe 80 or 100 miles. You can't go anywhere in southwestern Pa. "as the crow flies", thanks to bridges, mountains and PennDot. I would allow at least an hour to drive one way from the hotel, maybe more. The store is in Dormont, about 15 miles east of the Monroeville exit of the Pennsylvania Turnpike, and Rte 22 is, as we say in Pgh. is "tore up". That means PennDot is "making improvements", and usually we think they are just playing with where to put their orange barrels, but they have removed slabs of the road several feet thick on Rte. 22, and I don't think they are going to be finished any time soon. I worked at the "old" Pittsburgh store when I was first hired by Tandy in 1994. The store was located closer to Monroeville then, and bigger. The whole time I was shopping last Friday, not a soul came in, but the phone rang constantly. One of the employees (I don't want to get anyone in trouble) said that business was still brisk, but it wasn't coming from walk-ins like before, primarily sales come from mail order, phone and the internet now. I guess I was surprised to see that store empty (even after navigating down Rte 22's nightmare of construction) because it was always busy with people when I worked there, before being transferred to Macon. A word about the Pennsylvania Turnpike. The PA Turnpike (I76) is officially an "east-west" highway, (thus the even number designation) but it doesn't really do that. It runs more northwest-southeast after the I70 New Stanton interchange, becoming the Ohio Turnpike some 70 miles northwest of the city. Rte. 22 is technically the same road as the airport is on, but you can't drive from the airport to the Tandy on Rte. 22 directly because Rte. 22 becomes the famous Parkway going through Pittsburgh, and that road is not for nervous or distracted drivers. (Everyone from Pittsburgh is nodding their heads right now!) If I were going to the Tandy from the hotel, I would use the Turnpike, because the extra miles will at least be spent moving, instead of gingerly going through one neighborhood after another on the secondary roads. That being said, there isn't much to see at the "new" Tandy if you already have a catalog. There are more tools and hardware in the store than leather, but the people who work there are friendly and helpful. There is no longer a Tandy in the North Hills, for those of you with long memories. If anyone has questions about getting around Pittsburgh, or wants info on other things to do during their visit, just ask. I lived in Washington County (south of the city) for 15 years and can provide directions to just about anywhere. If you have time to kill and want some additional activities, I'm making a list (my son wants to see the dinosaur collection at the Carnegie Museum) and if there is any interest, I'll post it. Johanna

I would love to hear more about the history and designs of the different whips from you, Victor, because I don't know much about whips, but I sure admire how you braiders construct them so elegantly, but with specific intent in mind. I've enjoyed reading the info you share on your website, and I'm hungry for more. Johanna tickle~tickle

We have an adult area on this site with biker flash (nudes and fantasy art), bondage gear (BDSM) topics and the some of the most tasteless, but funny, jokes on the internet. I can add other categories as you think of them. Okay, well, this area is growing, and anyone who wants access please send me a PM (private message) so that I can add you. The point of the adult area is for legitimate leatherwork conversation and sharing, even on the more risqué techniques and trade tricks of our leather art, without losing the main board's family friendly status. If you're a grown up, you're allowed in. If you change your mind and want the adult content part of the site invisible to you again, a PM will make it so. Just let me know. Johanna

The Bladeturner Armoury is one of those interesting sites on the net where you can learn something, and the man in charge is quite knowledgeable about making period pieces. specifically: http://www.bladeturner.com/pattern/perfect...rfect_arm2.html This is very similar to work I remember John Henry doing in Georgia for the SCA folks. I have never personally done it, but I know the results can be outstanding, and the description above is pretty much what John did. You get a feel for the leather and the temps and just kind of know after awhile just how to get the effect you want. Further on down the page, the reader is given excellent advice: start on a small scale with scraps. I will have to say that some of John's projects failed miserably, resulting in useless wasted leather, but you learn as you go, and sometimes you have to dive in to swim. If anyone else has done this kind of work, I would be interested in knowing if this technique has/hasn't worked for them, or suggestions for better results. I have a canteen on the wall that holds potable water using this hardening process. (Sigh. If I ever dust it, I'll take a picture of it.) We also made armor using the hot water. We tried cuirboulli for some projects, but they weren't more than decorative, and they still needed sealed from the inside. Once John had the brilliant idea of microwaving a piece of formed wet leather. Don't ever do this. That was one reject that never even made it to the scrap box. It was a disaster, and a shame, because it had been carved so nicely. He did keep it around for classes he taught as an example as what NOT to do, but I can't find it anywhere now. I liked to point to it when he said "Oh, I just got an idea!" You married ladies know exactly what I mean. Pour a cup of coffee and enjoy Bladeturner's site. I'm going to ask him to say hello. Johanna

Well, Steph, how did it go? Are there other students in your class or are you being taught one-on-one? How many hours go into a saddle class? Did you get a course outline? I wonder where one would even start with such a complicated project as a saddle? Let us know how you like the work and the class, as you can see, I have a million questions. Johanna

Coyotero, I visited the Tandy in Pittsburgh (Dormont) over the weekend and examined the kits/bags. I have to agree with your assessment above. I recognized the leather before I touched it- and I was right. It is that dyed all the way through black, probably 6-7 oz, and not suitable for either carving or molding (forming). Maybe Tandy plans to call this black leather "weather resistant" or wanted a leather that would not show a scratch, but the leather they chose feels like thick plastic. I looked at one of the bigger kits and realized I could buy a "real" hide cheaper than the kit, and have leather left over, plus be able to trick it out any way the customer wanted. A customer who can afford a Harley can afford good quality leather, and usually knows the difference, or they would have bought the steel and chrome saddlebags with the bike. (Ugh! Those are ugly!) If I were in a hurry, and those kits came in 8-9 oz veggie tanned, I might consider a purchase, but there is no way I could justify spending $100 for clicker service, and I do not care for pre punched round holes in kits. Johanna

Awesome tool holder! All the items... Wow!! Welcome to Leatherworker.net, candyleather. I'm looking forward to seeing more of your work. Glad to have you here. Johanna

Joe, I'm glad you figured it out. I like the piece you posted. Do you do a lot of figure carving? I like work that's "out of the box". Now that you know how, no excuse for not sharing what you've been up to! Are you familiar with Darwin Ohlerking? His work has been featured in the LC &SJ many times, and he has received IFoLG and Midwest Federation awards. He specialty is buildings, and angles and contrast of meticulous precision. If you haven't already seen his art, you may be interested in his style. I'll look him up and see if he will let me post some of his pictures, if anyone is interested. Johanna

Wow, Jim, can't tell you're not a born basketweaver. Nice nice work. "Laying brick", huh? I never thought of it that way, but that's such a good description! I'm filing that one away for the next time I need to give an explanation. Wait until you start playing with the barbed wire and the tri-weave stamps. LOL Johanna

I have always admired your work, with your clean designs and natural colors. The beauty of the leather shows, and gets more attractive as time passes. Please post the links of how people can get your instructional materials. I know that you have earned an excellent reputation for documenting how you achieve functional works of art, and don't be so modest! I have been a fan for a long time because of your fabrication techniques. (If it doesn't work, it's junk, you know.) I hope you keep posting pictures, because I know others will enjoy looking at your work, too. You are a great teacher, and I have learned quite a bit from you. Johanna :book:

There are times pictures say a thousand words. The idea of "resists" is to coat part of the design with Neat Lac (or some sort of Shene which will prevent the antique from penetrating the leather) in order to bring out the contrast. These two pictures are from Dave Howell, Tandy Manager in Nashville, used with permission. Note the differences are subtle, but present. Johanna