Jump to content

fredk

Contributing Member
  • Posts

    5,528
  • Joined

Everything posted by fredk

  1. am I sooooo obvious??
  2. ah, you can't beat an honest green-back, unless it a $4 bill. Just don't take any wood nickels
  3. I think you were wise. You were on to them. If I may I'll relate a story which came up in my area about 6 years ago. A woman puts a diamond ring on ebay. A person buys it. Arranges to send a 'bank draft' from a UK bank (like your cashiers check). Buyer pays extra because he wants the ring sent to Nigeria by special delivery. Woman banks cheque, doesn't wait and sends ring. Cheque bounces. Also police contact woman for money laundering. She's cleared of that but has lost the ring. Value of ring? over £15,000. Ebay says not our problem, insurance and police say the same. That was a big amount. Very often these scammers get people on the smaller amounts, like yours. But usually they have some clever story to go with it and carry it along
  4. naw, you missed it. I wrote up a to-do but the o/p rejected it so I deleted it.
  5. Its a most unusual one indeed. Is a 'cashier's' cheque like a ready cash payment? I mean, can you go into a bank and instantly get it cashed or does it need to go thru your bank account and the bank system before you get the money? I'd guess it ain't gonna cost $2650 to crate and send a sewing machine half-way across the country. Is it possible the buyer mis-understood the price? eg thought it was $1250, then plus $80 = $1330 ~ but that still leaves $1525, still too much I know of two deals that were just a little bit the same, both became mysteries
  6. x
  7. A very good question I should have thought of that one
  8. If you look at the set on the left of this picture, back row, light brown handles, the small narrow blade is the ancestor of the fork
  9. That is nice. Loverly colour combo. Is that front section zipped? and is this your own clever design?
  10. a. thanks for those pictures. I like how you look after the details, as on the sheath in the last photo with the double twist to the hanging thong b. afair the pieces were mostly from La Trinidad Valencera. There were some survivors of this ship and the local legends are that these men bartered their goods for food and safe passage. What I saw included a Missal book cover, a few cases for instruments, long gone, and a few other scraps of leather. Allowing for the 400 years, the leather was quite thin. I reckon it would have originally been about 2 to 3mm thick, about the same as you used. I saw these things in 1988, long before I took up leatherwork, at a special Spanish Armada Anniversary event. Whilst everyone else was looking at the Girona jewels, and the guns, I'm looking at wee scraps of leather! c. I think you are correct on that, that the design was just pressed into the leather with a tool, but certainly a 'back grounder' stamp type tool was used as well. d. ach, they're no so bad. At least your steel is better than the samples tested in that book. And you've not gone for the 'fantasy' medieval look on your knives. That really makes me ........
  11. Those are mighty beautiful - an understatement. That is sure one amount of work there. The photography of them is excellent too, highlighting and showing off the stamping very well indeed. I have that book and your scabbards/sheaths really bring the archaeologists drawings (and remains pieces) to life One question: can I please see some of the seams on the back, just to see how you tackled them. As an aside: I was able to see and handle some leather work from a Spanish Armada ship and found that the stamping was very shallow, even for allowing 400 years of age
  12. I think its all very nice indeedy. When I see that stamping my mind is drawn to 'stone-age' - Fred Flintstone
  13. To cover the raw back of the snap rivet. Either for decorative reason or to prevent the raw base cutting either material or person They can also be used on the base of the rivet post part of single head ready-rivets
  14. A 'creaser' puts a pressed in groove near the edge of your item. It doesn't cut the leather as a groover does, it just presses it into the leather. You can get creasers with different sizes, the distance from the edge, from 0.5mm to about 3.5mm. The pressed in groove is both decorative and can add a bit of stiffness to the leather along the edge. You can get hot creasers like this one, or ones that need heat with a blow-lamp, and you can get cold ones which just needs a bit of muscle to press the groove
  15. Thanks. I doubt I'll ever buy but one should never say never
  16. I have 1.2 to 1.6mm veg tan which would be as flexible as these bags show. As they are commercially made I'd suggest that the maker got pre-dyed leather from the tannery, which also has a top lacquer finish applied. If it was me doing them with new leather I'd use my regular dye, then a coat of that dye diluted in some resolene, followed by an acrylic sealer such as 'Pledge Premium Finish' (check name) which is an acrylic varnish and not a polish.
  17. Main body of bag; any thickness from 1mm to 1.6mm. Veg tanned. Pre-dyed is useful and handy, otherwise, dyed by maker. Straps, flat, maybe 2mm to 2.4mm, two thickness of main body leather to colour match if pre-dyed leather used
  18. Unfortunately not available in N.I. New hard hats* are cheaper than that replacement head band. Broken band on the hard hat? just replace with a new hat. * a fully approved, high quality hard hat for £1.99 or about $2.25
  19. BTW, one problem with head-band magnifiers; every one I've come across uses a plastic strap and plastic buckle type thing. And every one of those has broken after minimal use. I'm in a several plastic model making groups and I've discovered that everyone who has one of these has either discarded it or had to replace it with another due to the strap or buckle arrangement breaking. Even my own is set aside for a broken strap and buckle. I intend making a padded leather strap with velcro fastening.
  20. I'm no expert on electronics, but I find that LEDs work on voltage rather than on milliamperage, thus two x 1.5V alkaline AA batteries give about 36 hours working light whereas two rechargeable batteries which are 1.2V only give about 3 hours light. At about the 30 hour mark the alkaline batteries are at about 1.25V each. Some head-band lights use two or three AAA batteries On the 'Hug' Light. Each light unit has a switch. Each has two bulbs. You can have each light, on 'wide' (low), on 'spot' (medium) or high (both bulbs on together). It takes two AAA batteries so I expect only a few hours use on 'high' Combine the two. A hug light and a head-band magnifier. You can get head-band magnifiers for as little as £5. It depends on where you go. Go to a shop catering for plastic modellers and they'll charge you £35 for the exact same unit you can buy in a shop for knitters/sewers for £10. I got my first unit in a fishing tackle shop for £8, same unit in the local plastic modelling shop was £45
  21. This be true. In my working life I paid about 10% of everything I earned into the 'National Insurance'. The more you get paid the more you pay. But it means I can go to doctor or dentist for treatment and not worry about bills, or to the chemist (pharmacy) for prescribed drugs at no cost now to me cos I've paid up front years ago. Back on topic; I have a couple of the head-band magnifiers with lights. Whilst the magnifiers are a grand job, the lights are next to useless. They're bright enough but I can never get them to illuminate just what I'm working on. I keep reverting back to different powers of reading glasses and a big angle-poise lamp with a daylight colour 20W (= to about 150W old fashioned) LED bulb. Another light I just got in and I've yet to try is a new invention. Its called a 'hug' light. Bright LED lamps on the ends of a flexible thingy, which you can wrap around the back of your neck or somewhere and angle the lights on your work example; https://www.ebay.co.uk/itm/Double-LED-Hug-Light-Adjustable-Head-Neck-Book-Reading-Night-Lamp-Torch-Handfree/264468227616?ssPageName=STRK%3AMEBIDX%3AIT&var=564149022967&_trksid=p2057872.m2749.l2649 I'm colourblind so I like a lot of good light on what I'm doing so I can actually see what I'm supposed to be doing. eg only under very bright light can I see dark brown or blue thread on dark brown or black leather.
  22. Leather, with or without rouge is traditional. You can use rouge on cardboard, or some wet & dry grit paper glued to a board or something. As said above. hard = less (or no) rounding of the edge. The videos probably didn't mention the 'boiling' the leather (do not boil it! ) as they started with a thick stiff bit of leather and had no need to make it stiffer
  23. As it is, its probably too soft for a good strop. Cut a piece at least twice the width and about 50% longer than you need. Soak it in really hot water, then lay it out to dry in a very warm place. Put something on it to keep it flat. You'll find that the leather has shrunk and stiffened up considerably. I would use a contact adhesive on both the leather and board to glue them together. Again put something on the leather to keep it flat until the adhesive has set. After that trim the leather and add your rouge if you are going to use any.
  24. ah, the wonders of the differences in our language. Here, a poke is a piece of paper rolled to make a cone shape. Often used to hold sweeties (confectionery) or chips (fries). A poke made of light biscuit is used for ice cream. Now, I do know that many a naughty child was transformed into a cherubic angel on the promise of getting one of those 'pokes'
×
×
  • Create New...