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Everything posted by YinTx
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How tiny? I have several sizes, and I can give you the number off of them if you give me an idea how small you are looking for. YinTx
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Those look fantastic. Any issues gripping the smooth finish? The saddles look quite comfortable. YinTx
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Also, regarding casing. I have done both in my short time tooling. On occasion, I will discover that the leather absorbs the moisture unevenly, and thus will tool unevenly if I don't let it sit for an hour or so. If I am doing something small and simple, quick casing is great. If I am doing something I feel is more complex and I don't want any difficulties beveling etc, I'll bag it for a few hours and let it set out for a bit. I guess what I am saying is both methods work for me, and I adapt/use which ever one I feel I have time for or I think the leather might need for a particular project. Nice to see I am not wrong in doing so, considering all the banter for/against each method! Thanks for sharing, Mike! YinTx
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I sure hope so. I placed an order and gave him my money for a flower center tool at the show last year that wasn't in his booth, and haven't heard hide nor hair from him since. He also didn't give me a receipt, which has me concerned. The tools I got at the show were plenty nice, and I enjoy using them. YinTx
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Au contraire, my friend. I really enjoy antiques, largely because they are often utilitarian and decorative. I enjoy figure carving, because it is challenging and unique. I look forward to being accomplished enough to combine many aspects of leather craft into my own style. As you have seen, I have a long ways to go though! Still just getting past the "howling mouse" phase. Is it easier to start on large (say 8" + size) or small size (say 2-3" size) to learn? YinTx
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That is a pretty interesting design. Did you draw it yourself? YinTx
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Agree on all points above. I did a USAF wallet as a gift, then discovered that you have to have written PERMISSION from them to use their symbol on anything. And it appears as though if you want to make a USMC or US Army etc. item, you have to have permission from each of them as well. So, I won't be doing those, until I have time to fill out their forms etc. This is one reason I tend to shy away from "borrowing" other folks designs. If I have tooled someone else's design that I did not pay for, it is not for sale. I might give it away or use it myself, but I won't sell it. (Craftaids I bought, some designs are "free" from places like Leather Craft Library etc. - I think it is probably ok to sell items tooled from those patterns.) As far as copying art- to learn carving - have to start somewhere. As an individual that can't draw a stick figure very well, it wouldn't make sense for me to dive into a complex piece and expect anything good to happen. However, I have my own leather patterns of things I make, and available patterns for tooling and such don't fit correctly. Or there are things I don't like about other folks designs, as they don't quite do what I want them to do (not that they are bad, most of them are great, done by incredible artists and masters - after all what is the point of studying the works of those who are producing low quality goods? - but they just happen to be not the end result I am looking for). This is forcing me to learn how to draw. I have begun sketching things - miserable, and in the garbage as fast as I can so no one sees em - but like my leather craft, I hope to begin improving over time to where I can sketch my own designs. I've never had formal art training, so this is a difficult and frustrating process, even more so since it seems most others in my family are incredible artists - sculptors, painters, designers, builders. As I mentioned in another thread, most of them aren't really believing I am making these leather things. I am driven to make things that others do not, I want to make sure I am not a fab shop for copy Hermes bags. I want to exceed their quality, not quantity. I want my customers to be happy knowing they have a unique item. This is not for every leather crafter. A lot of business models are built on volume. This means you have to keep it simple, and make a lot of the same items over and over. Nothing wrong with this model either, a lot of major handbag manufacturers begin to have similar looking products. As my wife says, they all just copy one another making what is most popular at the moment. Art is not dead, you just have to look for it. And pay appropriately. I think true artists are just driven to go down a different path. my rambling $0.02. YinTx
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I watched that whole video, waiting to see dye go on and to see the peel come off. Felt somehow denied the satisfaction. Otherwise, awesome video, and great info, thanks for sharing! YinTx
- 24 replies
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- youcantresistthis
- frisket
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I have this, and used some on a coaster I made. I did not get much water resistance from it, and had to recoat with the High Gloss acrylic finisher from Angelus. Have you had good luck getting water resistance from the matte finisher? If so, how did you apply it? YinTx
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I hadn't expected to have become inspirational, so I'm glad I have been. Thanks for the compliment. Your work is really nice as well, which is why I have tried to keep up with your posts! YinTx
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Lets talk about WOW factor in leatherwork.
YinTx replied to immiketoo's topic in Leatherwork Conversation
I think this was the thread. Very sadly, the photos are not there. YinTx -
Lets talk about WOW factor in leatherwork.
YinTx replied to immiketoo's topic in Leatherwork Conversation
I believe it was Samar. He has a facebook page, amazing work. Definitely has the wow factor. That bag is ingrained in my memory as well. Not sure where it is on this site, I think he had a different user name at the time. Will look around a bit. YinTx -
If you put down black dye, then resist, then antique, you should get a good look without blending the black into your tan. While you are at it, consider the Fiebeng's, as I think you may find it easier to learn with. I have used some acrylic antiques and have been happy with how they turn out as well. Best of luck, and look around this site to see how folks are antiquing their work. I think there is a whole section dedicated to dyes, stains and antiques. YinTx
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First bet is to always practice on a piece before putting anything on your final product, otherwise you can guarantee the results will not be what you are looking for. I have been trying to get antiques and resists to work well for me for almost 6 months, and am only now finally getting some semi decent results. That being said, there are many that will tell you Eco flow is difficult to work with. I have just discovered that it is *different* to work with. Others will tell you Fiebings is the only way to go, and some will simply say don't bother with antique, it'll just streak and ruin your nice tooling. This should reinforce the need to practice until you decide for yourself which way you want to go. The stains and dyes are not antiques, and aren't intended to highlight tooling. Not sure if I followed your post correctly, but it seemed as if you intend to put resist then dye. Resist will not stop dye from penetrating the leather, only antique. And different resists do so to differing degrees. Tan kote, Clear lac, Resolene, Block out, Pro resist, Bee Resist, etc all will give you different results. I think if you are going to use antique, this could work for order of operations: (anyone else could chip in here) Dye the backgrounded areas the color you want. Use a brush to accurately apply dye. Dye any other areas colors you want. Allow these to dry well, overnight or better if you can. Apply resist where you don't want antique to stick. again, dry as above. Apply antique using sheepswool, immediately wipe off. Use a damp towel if need be. Allow to dry. 5-10 minutes for Fiebings antique paste, Apply finish coat such as Tan kote. Expect some of the antique to come up again. Allow to dry. Apply another finish coat. Allow all that to dry for a day or so if you can, then put on a final top coat of Resolene or Tan Kote, or Acrylic finish of some kind. Again, no matter what, do some sample pieces, even if you just knock out a square foot of basket weave and cut it up into pieces and try different things on each piece. Hope this helps some. Lots of info on this website on different ways to go about this process. YinTx
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Lighter case
YinTx replied to mike6642's topic in Purses, Wallets, Belts and Miscellaneous Pocket Items
Sometimes simple does the trick! I like the contrasting red thread! YinTx -
You went from this to a perfect clutch.... hrmm. Perhaps I should start small and go bigger! I started with a messenger bag a few years ago. Yesterday I tried my hand at a coaster. Seems I never do things in order. Nice cuffs! YinTx
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If you look up....doughnut? YinTx
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Carved mug sleeve
YinTx replied to Retswerb's topic in Purses, Wallets, Belts and Miscellaneous Pocket Items
Thats some happy art right there. Put a smile on my face. Makes the sleeve I made look lame. Awesome! YinTx -
Phenomenal, and only a few days time! I am always amazed at how fast folks manage to get finished products out the door. YinTx
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Those came out sharp! Always hoping I get to do a seat some day...I think...they seem challenging, yet rewarding. YinTx
- 5 replies
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- motorcycle seats
- knife sheaths
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Mr. Harper, I just recently found your YouTube videos, and made some rifle slings that I posted in the "show off" section based on the information I learned from you. I will miss the invaluable information you had in those videos since you have removed them, but wanted to thank you for the information you did share over the time it was available. I pray you enjoy your retirement and the plans you have, and hope that you consider putting the videos back up for us to learn from! YinTx
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That rocks. YinTx
