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fredk

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Everything posted by fredk

  1. Not that long ole chap. Only about 18 years I found that normally dry leather absorbs the dye unevenly. By dampening the leather, not too wet, the water helps the dye spread thru the leather giving it a more even absorption, I make sure my sponge is not dripping wet with the dye as well as if it is the first part you touch will get the most dye and the rest of the leather will get a minimal amount. A sponge wetted with dye then squeezed out applies dye more evenly I use Fieblings dye which I dilute with methylated spirits [alcohol]
  2. For large areas I dampen the leather and apply dye with a sponge about 3 x 4 inches. I apply in a few straight strokes then go over it using circular For medium sized item I dip dye. I use a stainless steel oven baking tray. I dilute the dye about 2 alcohol to 1 dye
  3. Definitely throw it away As you, and I, are in three different places its not a water-borne mould. It might just be an air-borne non-toxic mould. The glue pot has given it a nice home to grow in. You can limit this by adding a small amount of bleach and keeping the glue in a dark container, or in a dark place which is also cold, but not freezing. Warm & bright encourages the mould to grow
  4. Check on it frequently and change to a fresh clean absorbent material. I used kitchen paper towel and refreshed it about every few hours, still took a few days tho - I did have a bit too much nfo in it Your water dipping seems to be working; let it soak for a bit longer then pressure it [idea/suggestion] In my experience nfo will still get past resolene
  5. I tried all those on an item. It took forever for any oil to leech out. Best result was with sandwiching the item between layers of clean paper and putting a heavy weight on the stack, to press the oil out. Running thru a mangle to press it would may be better
  6. Are you punching holes in the lining to match the Tandy holes? Use double sided tape along that bit Or just put the contact adhesive on the lining part and thinly, just enough to hold the lining in place
  7. I think hardening is an option but not necessary as stamps can be made out of Delrin or brass as well as iron and steel
  8. Bludy 'ell - I'm now 58 and 1/3 Where did all those years go?!? Old enough to know better and old enough to forget that Old joke Old persons protest What do we want? Better memory! When do we want it? Want what?
  9. [my embolding] Soft, pliable stretchy, doesn't depend on the tanning method. Its the 'type' of leather, or where it came from on the animal. eg on cow and such animals [ buffalo, camel, horse] the part along the spine, the back, is thick and stiff, the belly part is stretchy and very pliable I have 2mm belly leather that stretches like rubber [ok, exaggeration but almost] and 2mm back leather that is very stiff; both are veg tanned. I also have 'upholstery' leather which is chrome tanned, some of it can be stretched but some is much stiffer. The chrome tanned is pre-dyed and lacquered; its various shades of brown, I can use it like that or dye it black, but I can't tool it. Its also 1 to 1.8mm thick, maximum You need to get veg tanned belly leather or upholstery leather or even 'clothing' leather - leather that is suitable for motorcycling 'leathers' is clothing leather which is stretchy
  10. A thin [narrow] leather strip which goes between the two main pieces of the leather, along an edge, on a holster, sheath or shoe is called a welt For handiness it can be lightly glued in place and sewn thru when the two main pieces are sewn together. Contact adhesive or double-side tape can be used to hold it in place
  11. If you have a bit of pigskin or deer and you want to know; try wet moulding it. Veg tan will mould, chrome tan won't [in my experience anyways]
  12. What way has the mould warped? Photos please
  13. Deep stamp impression, two coats, high sheen looks like high moisture & oils content Shallow stamp impression, leather soaking up 4 coats of dye looks like dried/drying out leather to me Try giving it a light coat of neetsfoot oil. Let that soak in for a couple of days and try a test piece again
  14. All leathers can be chrome tanned or veg tanned. You need to ask the tannery you buy from what tanning the leather got that you want to buy
  15. Has the leather been stored anywheres its been able to dry out?
  16. That looks very nice. Warped mould? scrap it. Its not worth the heartache and cost of wasted leather if it doesn't do the job properly now
  17. You could mount it on the belt as a keeper It could also be used on a medieval type as the loop before the belt knot
  18. It doesn't really matter which way the slots run, as long as they all point the same way. Its a small mark to show that the maker was looking at the details. In the case of your pouch I would have the slots running in line with the stitching, or at right angles to it
  19. Same for me. When the item gets to that stage where it can't be flattened I block it out with off-cuts of wood and scrap leather. Still goes into the clamps. Mine is a sort of clam. Two shaped up-rights attached to a plank, which I sits on on a chair or bench. It'll go anywhere easy*. - Today I plan to get two new springs for it; first improvements on it since I made it 20 years ago * a workmate thingy doesn't pack up or store as small as my clam
  20. You'll have problems with the corners. I think the vertical ones will bulge out awkwardly. Better to have curved corners at all junctions
  21. You'll be annoying folk bumping this every hour or so. We don't live on the forum. The machine specialists might visit only once a week or even less often
  22. yup, remember that and the book 'Eats Shoots and Leaves' all about such
  23. I would call it 'Lattice Work'. Bikermutt has said it I was just reading a 'How do I......' on this just the other day. Some cut the lines first then stamp with a seeder, whilst some mark the lines, stamp with the seeder, then cut the lines between the stampings. Yes, looks like a resist first then antique applied
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