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fredk

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Everything posted by fredk

  1. yup. 6 oz = 2.4mm, Main belt also about 2.4, = about 5mm, the minimum sort of thickness for a sword belt. Sword weighs in at 1.25 to 2 Kg. Some sword users like to wear the scabbard as well, thats another 1kg with its bits. Too thin or too light a leather and the belt just twists and collapses I only ever had to do a really thick belt, 6.5mm or so once. Most sword belts were in the region of 4 to 4.5 mm 1 oz = 0.4mm 6 oz = 2.4mm 5 mm = 12.5 oz 6.5mm = 16 oz 4 mm = 10 oz
  2. I read it over there. All I can think of is its a chrome tanned split. Good for thin belts, lining thicker belts or for making handbags/shoulder bags with a 'rustic' look
  3. I got my US and CS stamps from duckcreektraders, aka Bunk House Tools https://www.shop.bunkhousetools.com/Embossing-Plates_c4.htm About 1/4 way down for the CS and 2/3 down for the US Heres a better look, different sizes, closer to the top of the page https://www.shop.bunkhousetools.com/Embossing-Plates_c4.htm?sortOrder=2
  4. My opinion on this. Carnauba on its own might be fine for edge burnishing but not for surface polishing on flexible leather. Carnauba is a very hard wax. Its used on wood furniture because of its hardness. Its used in the French Polishing technique, as a final coating polish because of its hardness. On leather, the leather first absorbs the turps, but the leather does not absorb the wax which remains on the surface of the leather. The wax dries out and the wax continues to harden. As it hardens it will form cracks and eventually crack and break off the leather surface That is why its usually mixed with beeswax. Beeswax is actually a bee reprocessed honey. A honey bee is fed honey and it processes it in its body and extrudes platelettes of wax. For every 6 to 7 pounds of honey 1 pound of wax is made. Beeswax has a lower melting temperature and also contains more moisture which helps it to be absorbed into leather. But beeswax on its own is a poor polish so carnauba, which is from a tree, is added for hardness My qualifications on this are; Once upon a time I was a bee keeper. I used to make polishes for car-finishers, furniture polishers, leatherworkers and more. I attended certain instruction courses to learn about polishes so I could mix polishes to suit the end users. Some end users used to travel from all over this island to search me out for my polishes. I wasn't in the Turtlewax league but specialists preferred my polishes
  5. The only 'Gorilla' glues I can find locally are an expensive Cyanoacrylate (aka CA, or Superglue) or an expensive PVA. (about £10 for 125ml)
  6. I've made light-weight 'medieval' style shoes and ankle boots. The thickest I've used for the sewn on sole is 2.5 mm. Then I've put inside an insole of about 1.5mm thickness with and extra heel piece of 1.5mm under the insole. All veg tan. I used to make children sized slipper shoes in medieval style out of chrome tan upholstery leather which is about 1.2mm thick. 'Feedback' was that both the parents and children really liked the slipper shoes as they were so light and flexible (and cheap too!) My dottir had new pairs every season from when she was 18 months old until she was 5 y/o. Only stopped cos we stopped going to events. Even outside of the events dottir used to choose her medieval shoes for playing in.
  7. I think that is a very condescending statement
  8. B203 = OK B935 = OK P217 = (Not really needed here) but could be used instead of a B199 if really stuck P703 = Not really needed here C491 = Not really needed here U851 = Not really needed here V407 = Not really needed here You have drawn a line inside the ribbon. I would a. use a wedge end stylus to press that line down as a shallow groove or b. cut with a swivel knife then use the wedge end stylus to press down into the cut line and shape it Backgrounders: A104-2, (optional) A105, A114 or A888-2, (optional) A888, A889, or A104, A118
  9. I just had a look see. Those are the books and Craftaids they've always sold. I can't find the 'tip sheets', basic pattern ideas etc. Good thing I got about 90% of them when I did
  10. ok. I'll start the list 1. Swivel knife with a fine blade 2. a selection of bevellers, from wide to small eg, B200, B201, B203 3. a lined beveller, eg B199 4. A stylus with a wedge end
  11. I don't know if this is much use to you but I'll add it in anyways. Le Prevo, Newcastle. England has pigskin lining, suede (113) and 'topgrain' (087) http://www.leprevo.co.uk/hides.htm
  12. I got that as well to my saved/bookmarked links also; I get a 404 'page does not exist' page when I try to access the pages to download the patterns I've bought or acquired off the Library
  13. For UK readers; I use UHU glue, then sometimes I stitch as well, but often I don't bother edited to add. I've only used zips on the pockets inside bags, never used them as the main closing on anything
  14. I make plastic models. I usually attend shows to display them. In other times we have several thousand people attending those shows. This year the shows cancelled. Some tried a 'virtual' model show on the usual social media. Nearly all the 'virtual model shows' had no more than a few dozen look-ins. Some 'shows' had only the people showing the models.
  15. I reckon you said it; people like to touch your leather goods. Also they like to smell real leather. They also want to chin-wag with the maker, asking things about the bag or whatever and getting good answers. 'Exposure' on social media ain't as hot as some think or make it out to be. For just some of that money you can set up your own website. afaik Etsy and selling on facebook are free. If I was in your position, I'd ask for that refund and tell the organisers - see ya next year
  16. 1. When you get the airbrush, check any hose supplied with it. It might be just a basic hose. Replace it with a fabric braided rubber hose. It really helps with the airflow 2. when sorting out the connectors for a/b to hose and hose to compressor get a quick release set for the a/b to hose end. A q/r is handy for changing a/b quickly, or just taking off the one for cleaning and packing away 3. get a set of a/b cleaning brushes, only cost you about $3 but worth it for really cleaning the a/b
  17. With more thought on this I suppose that separator piece could be made in one piece but the leather would need to be about 1.5 mm thick, or less, about 3 - 4 oz. Wet folded and moulded round a buck, or just clamped between a couple of blocks of wood, then a stiffener added to the uprights and then they are glued together. I'm judging the thickness of the leather on the uprights by the length of the stitches which I think are under 5 mm each and the leather above that inverted V is thinner than that stitch, so maybe about 3 - 3.6 mm thick. If the stitches are smaller then the leather is thinner.
  18. I can just make out a tiny inverted V shape at the lower ends of the uprights, just above the stitching. I think the top part is made in three pieces; left, centre and right.. The left and right pieces each have one edge folded up, the centre piece has both edges folded up. The three pieces are glued together and the edges finished and burnished to hide the join. Possible that a stiffener was enclosed in the uprights. I don't think the uprights were made by folding the leather as those top edges don't have that look. Then top piece made of very thin leather was sewn to a thicker leather base. Again, possibly a stiffener was enclosed The pieces could be glued together, then folded, then edges finished off. A former, or buck, could be used to wet fold the pieces over. There are quite a few methods to make this piece
  19. a. you'll need a good compressor b. a gravity feed airbrush will need less free-air and lower air pressure from a compressor c. on a gravity feed a/b you want as large a cup as you can get, some a/b have interchangeable cups and you can buy bigger ones d. needle size; a 0.2mm will be good for fine work, 0.5mm will give faster coverage over a larger area. get an a/b from a maker who supplies different sizes of needle sets.
  20. Please lets not fall out over this in my not so humble opinion - buy the best tool you can afford from a maker with a good and proven history of quality, where-ever they may be located. One of the main things to look for in a stamping tool, especially a basket-weave, is that it gives a sharp impression. I have Tandy ones. They are moulded and the moulding has softened over the years and then they are coated with chrome plating which softens the impression even more. I/you can get a result from them but a better tool gives a better sharper basket weave look. I've bought from this Czech chap. Excellent quality. Speedy delivery. Just three days to my letterbox. At a very reasonable price. Amongst the tools I've bought from him is a square shaped basket-weave stamper https://www.ebay.co.uk/sch/007designer007/m.html?ssPageName=STRK%3AMEFSXS%3AMESOI&_trksid=p2053788.m1543.l2654 I've not bought from this chap yet but I'm tempted to do so https://www.ebay.co.uk/sch/m.html?_odkw=&_ssn=tuningstarltd&item=264685930097&_osacat=0&_from=R40&_trksid=p2046732.m570.l1313.TR12.TRC2.A0.H0.Xbasket.TRS0&_nkw=basket&_sacat=0 It suits me, especially in the pocket to buy out of Europe. If it wasn't for shipping & handling charges plus customs duties I would be tempted to buy from Barry King or someone similar (an item I bought a couple of years ago cost $19, but when other costs got added on it ended up at $65)
  21. I made enquiries in that direction - answer was a big No. Not even if they were free to them
  22. It would help if you told us where in the world you are. This is a very international forum with members from all the 4 corners of the flat Earth
  23. I wonder if this is relevant to the discussion; Back in summer 2016 I was asked by a local Arts & Crafts and Local Development authority to run basic leather work classes. They'd done painting, pottery, and other similar things and now thought of leather, mainly cos the person in charge of the scheme knew me. I'm no teacher, so with a special experienced tutor type person we worked out a plan. Three classes, over three successive Saturdays for a real basic introductory course, then three more 'advanced' classes over the next three Saturdays. People were to sign up for the first 3, then if they wanted they could sign up for the next 3. Each session was to be about 4 hours, 11.30 to 15.30 approx. The cost of the 3 basic sessions was to be £15 per person for all 3 sessions, it was being subsidised by the local authority. Flyers and adverts put out. We had 120 or so enquiries within about a week, which is very good for Mid-Ulster, or anywhere in Ulster. 24 or so filled in the booking form. 2 weeks before the first Saturday we had 16 people booked and paid up. First Saturday we had 8 people turn up. 4 left at the lunch break and never came back. The remaining 4 finished that first Saturday, they came the second Saturday but not the third Saturday. I still had a few people on that last Saturday, the educator, her daughter, her brother, who dropped by to say 'hello' and the manageress of the community facility we were using. As part of the package I had made up tool kits. Each person attending got one of these to keep. In the first sessions the people were to make a coin purse and a draw-string bag. 6 tool kits went away. 2 were returned to me later. I've now got about 14 tool kits left over, taking up space in my storage unit. I'm not out money directly on these, I'm out my fees, but the authority and I came to an arrangement, some fee money and the tool kits in payment. Thats my experience of trying to teach some leather craft to the people of Ulster
  24. All of us have very different regulations and systems in our home countries, but many are quite similar in principle In the UK one can set up as a 'Limited Company quite easily'. It costs as little as £100. A one-off payment. Within that the named 'directors' of which there must be a minimum of 2 have a personal liability 'limited' to £1 each. I used to see that as 'insurance' When I had several business I had them all as 'limited companies'. One of my business was producing and selling a motoring magazine. One time I got a 'claim' from a reader that he'd cut his finger on one of the pages. He was trying to sue. I handed the case to my company solicitor (lawyer) who sent him his £1 with an advice letter and that was the end of the matter In the UK a claim type case goes before a judge first who listens to the basic arguments then decides if it should go further or if its a 'frivolous' case and should end there. A lot, or a fair amount, of cases get no further. eg, a recent case, a woman tried suing a top-line hairdresser for cutting her hair badly, judge decided it was 'frivolous', especially as by the time it would be heard the woman's hair had grown. If a case is to go ahead the respondent (ie you) can ask the court to order the claimer to put up court fees in cash in advance in case they loose. Not many can lodge £20,000 + cash for an indefinite period with the courts. Again, I have experience of this but it was I was being sued for alleged libel. The court demanded the claimer put up £35,000 in cash to proceed. End of matter.
  25. Gob smacked! that there is some tooling, and dye work
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