TomE

The loop stick enables you to stretch the dampened loop a bit to size it and to block the corners, making them square. Particularly handy for fixed loops sewn on a strap with the stitch lines running through the ends of the loop, and for narrow fixed/running loops on a bridle.

Sure. I use a round knife for skiving. For skiving small pieces I will switch to a smaller skiving knife like an Osborne #67. A small half round knife might be even handier.

Finally solved the mystery of the Vergez-Blanchard plough gauge. Moving the blade 3 mm back from the fully forward position relieved the pinching and binding of the strap against the guide. It now slices through 12 oz HO veg tan with little effort. This fix was suggested on FB by a Kelsey Watson from White Hall, VA. I think he fabricates leatherworking tools. Thanks to everyone for tips on sharpening the knife - my skills continue to improve and I am sure that helped as well. Now if I could get more brass hardware that has been out of stock for 6 months.

Not sure about the process but haltertags.com in Wilmore KY makes very nice brass name plates that are engraved and filled with paint (enamel?).

Thanks for the link!

That's a handsome piece of work! If he runs out of bullets that gun will make a good club.

Maybe not just a legacy. I bought a new Vergez Blanchard pricking iron a few months ago that looked like a high school shop project. Stubby teeth with rough unfinished edges. Spent hours shaping, smoothing and polishing to make it useable. On the other hand, I am very happy with the Rocky Mountain European style pricking irons.

No pattern, but here are a couple of pony sized cruppers photographed on a 1 inch grid. The larger crupper at the top of the picture loops through a dee ring mounted on the cantle. The other crupper loops through a T-shaped tab that slips into the slot between the panel and flap underneath the cantle. The dock is constructed like a suitcase handle with a leather cover sewn around a flexible material (felt?). These cruppers have a 1 in buckle securing the point, and 5/8 in buckles for the dock. Steinke ("Bridlework") suggests making the dock from a piece of liner leather folded in thirds and sewn flat. His dimensions are Point: 22-28 in x 5/8 in. Buckle piece: 13 in x 1 in, tapering to 5/8 in where point and buckle attach. Splits: 8 in x 1/2 in. Dock: 11 in x 2 in, folded in thirds.

I appreciate and admire the work that goes into a pasture like that. Hope you're enjoying OK and the leathercraft.

Mike Graham, owner of Ruxton's Trading Post, is an expert in the history of western saddles. He has written books on the subject, and articles for Western Horseman. https://www.ruxtons.com/dynapage/PP03.htm

A sharp awl gets my vote. Sewing with an awl is faster than pre-punching, and its more flexible wrt a wide range of thicknesses, odd shapes, and making adjustments on the fly. For fine stitching (~9 spi) I use the Rocky Mountain European style pricking irons to mark the holes instead of an overstitch wheel. I rarely use a 2-prong iron and instead tilt an 8-prong iron, tapping lightly to mark curved sections. I guess this wouldn't work well for driving a chisel home to punch holes.

That's some serious sewing through so many layers. Nice work! You're motivating me to work through my broken tack.

Stohlman's "The Art of Making Leather Cases" volume 2 covers several variations of this style handle (and many others).

Would not sharpen the inside of a punch tube --just remove any burrs. If you bevel the inside edge then the leather is compressed inside the tube and the punch is harder to use and doesn't clean out like it is designed to. Punch tubes don't need a fine edge, and it won't last as the tube presses into the copper anvil. Polishing the outside of the tube to remove paint and machining marks is the main thing. Can lightly dress the cutting surface of the tube (and the punch anvil) to create a flat edge before working on the outside of the tube.

You can get a lot of experience sharpening a round knife if you start with an Osborne. I learned through trial and error that the key was to shape the blade with gradual taper before sharpening. Mine had a bull nose shape when new. I spent a lot of time working the taper with coarse stones. If you're smarter than me you'll find a friend with an abrasive belt to help you.

I am grateful to the experts on this forum who have taken some of the mystery out of machine sewing. Thanks for sharing your knowledge and craft. Glad you're up and running again @Tequila. Happy sewing.

This was my first attempt to replace girth straps, and I followed Rob Steinke's instructions in "Repair Your Own Saddlery and Harness." Dropping the front of the panel was easy. Took a little fiddling to line up existing holes when sewing the panel back on. When I had trouble passing the needle and thread from the rear, I inserted a needle in the front (instead of an awl) to get things aligned before passing the needle and thread from the rear. The panel is fastened with an angled running stitch (pop stitching) that produces 1/4 inch long stitches spaced about 1 inch apart. Even with the panel dropped, there's little room around the stirrup bars so I was angling my needle when stitching near the top of the webs. Per recommendations, I stitched the girth straps to the web using a single needle backstitch, and overstitched the beginning and end of each line. I made girth straps from the butt of a Hermann Oak tooling side before learning about the rawhide and buffalo (bison) hide options available from Abbey England. Think my straps will be plenty strong for this pony saddle.

That's a beauty! I like the colors. Nice workmanship.

Biothane is a great product and used for quality tack. Although I make leather tack in my spare time we use a lot of biothane halters in the barns. If a bird craps on them I just toss them in a bucket and hang to dry. They are very durable and practical for daily use. Nonetheless, my time is better spent making and repairing leather tack.

Just firm tapping. I usually just tap on the backside with the front facing the granite slab. It helps to smooth the stitch line and even out thread tension. The marks probably won't be removed completely, but it should help. A shorter/weaker spring is likely to be the best solution.

Mike Graham, owner of Ruxton's Trading Post in Manitou Springs CO, is an expert on old saddles. He used to write a column for Western Horseman answering questions about vintage saddles.

Do you tap the stitches down after sewing? I use a small hammer with a polished face and place the leather on a granite slab. I am sewing bridle leather, not harness leather, with a Class 4. The presser foot marks the leather when the thickness is > 20 oz. even with the tension setting at a minimum. Tapping the stitches helps, and the marks fade somewhat with time.

Nice collection of brasses! This book from master saddler Robert Steinke's Ebay store is informative. https://www.ebay.com/itm/223744242608 If you buy from the author he will sign the book.

That's a handsome bag! Really like the handle and choice of leather. Old school is timeless.